Generic Enrichment in Vergil and Horace

Generic Enrichment in Vergil & Horace (2007)......Page 1
ISBN: 9780199203581......Page 5
Preface......Page 8
--> Contents......Page 10
1. GENERIC ENRICHMENT......Page 12
2. GRAECO-ROMAN GENERIC THEORY......Page 13
3. LITERARY GENRE: A WORKING DEFINITION......Page 21
4. GENERIC ENRICHMENT AND GENERIC THEORY......Page 22
5. AUGUSTAN AND ALEXANDRIAN GENERIC ENRICHMENT: LITERARY-HISTORICAL AND POLITICAL ASPECTS......Page 30
6. AUGUSTAN GENRE: A MODEL REPERTOIRE......Page 32
(1) Title......Page 33
(2) Metre......Page 34
(4) Length and structure......Page 35
B. Thematic Repertoire......Page 36
(3) Tone......Page 37
C. Explicit Metageneric Signals......Page 38
(1) Generic exemplars: auctores......Page 39
(2) Initial indications: programmatic openings......Page 41
(3) Symbolic metonyms: woods and love......Page 42
7. CONCLUSION......Page 44
1. INTRODUCTION: THE ECLOGUES AND THEOCRITEAN PASTORAL......Page 45
2. ECLOGUE 4: PROPHECY, EPITHALAMIUM, AND ENCOMIUM......Page 47
3. ECLOGUE 6: METAMORPHOSING PARTHENIUS?......Page 55
4. ECLOGUE 10: PASTORAL AND LOVE-ELEGY......Page 70
1. HORACE, SATIRES 1: LITERARY TRADITION AND GENERIC ENRICHMENT......Page 86
2. HORATIAN SATIRE AND HEXAMETER DIDACTIC: NOT BEING LUCRETIUS......Page 90
3. KINDS OF HEXAMETER VERSE: ON NOT WRITING EPIC IN SATIRES 1......Page 96
4. OTHER POETIC TRADITIONS: GENERIC VARIETY IN SATIRES 1......Page 104
5. CONCLUSION: GENERIC ENRICHMENT AND POETIC ASCENT......Page 114
1. IAMBIC VARIATIONS: GENERIC DIVERSITY IN THE EPODE BOOK......Page 115
2. EPODE 1: A ROMAN ARCHILOCHUS?......Page 117
3. NOT THE GEORGICS OR ECLOGUES: IAMBIC RUSTICITY IN EPODE 2......Page 125
4. POINTS OF DEPARTURE? EPODES 11, 13, 14, 15......Page 130
5. EPODE 16: ELEGY, ORACLE, AND PASTORAL......Page 141
6. CONCLUSION......Page 146
1. THE GEORGICS: TRANSITIONAL DIDACTIC?......Page 147
2. LAUDES ITALIAE (GEORGICS 2.136–76): A CAESARIAN HESIOD?......Page 149
3. THE PROEM TO GEORGICS 3 (3.1–48): THE SEARCH FOR EPIC SPACE......Page 160
(i) Bees and Mock-Epic......Page 167
(ii) Epic, Epyllion, and Aetiology......Page 171
(iii) Poetics, Politics, and Panegyric......Page 175
1. THE FLEXIBILITY OF THE LYRIC FRAMEWORK......Page 179
2. EPIC AND LYRIC: ODES 1.6......Page 181
3. ELEGIAC AND LYRIC LOVE: ODES 1.33......Page 185
4. EPIGRAMMATIC TRACES: ODES 1.28, 2.13, 2.5......Page 188
5. ETHICS, EPIC, AND PROPHECY: ODES 3.3......Page 195
6. TRAGEDY, ELEGY, AND EPYLLION: ODES 3.11 AND 3.27......Page 200
7. LYRIC AND EPIC: ODES 4.2 AND 4.15......Page 209
1. INTRODUCTION: THE AENEID AS GENERIC CONFLUENCE......Page 218
2. TRAGEDY AND ELEGY: TWO QUEENS (AENEID 4.1–5, 12.54–9)......Page 219
3. A SYMPOSIUM—BETWEEN LYRIC AND EPIC (AENEID 1.195–209)......Page 225
4. EPIGRAMMATIC EPISODES: EPITAPHS AND ARTEFACTS......Page 228
(a) Literary Remains: Traces of Catullus 101 in Aeneid 6......Page 229
(b) From Tree to Nymph: Epigrammatic Autobiography at Aeneid 10.228–35......Page 233
(a) A Hymnic Encounter: Aeneid 1.314–418 and the Homeric Hymn to Aphrodite......Page 236
(b) A Pastoral Presence: the Return of the Cyclops (Aeneid 3.641–61)......Page 240
(c) Didactic Diverted: Ghosts and Bees (Aeneid 10.636–42, 1.430–8, 6.706–9, 12.587–92)......Page 243
6. CONCLUSION: GENERIC ENRICHMENT AND CLASSIC COMPLEXITY......Page 250
Bibliography......Page 252
Index Locorum......Page 266
General Index......Page 270