From Performance to Print in Shakespeare’s England

Front Matter....Pages i-xv
Introduction: Printing Performance....Pages 1-10
Front Matter....Pages 11-11
The Book of the Play....Pages 13-54
Making Meaning Marketing Shakespeare 1623....Pages 55-72
From Print to Performance: Looking at the Masque in Timon of Athens....Pages 73-91
‘As it was, is, or will be played’: Title-pages and the Theatre Industry to 1610....Pages 92-110
Front Matter....Pages 111-111
Editing Boys: the Performance of Genders in Print....Pages 113-134
On Not Looking Back: Sight and Sound and Text....Pages 135-151
De-generation: Editions, Offspring, and Romeo and Juliet....Pages 152-170
Front Matter....Pages 171-171
Rhetoric, Discipline, and the Theatricality of Everyday Life in Elizabethan Grammar Schools....Pages 173-190
History Between Theaters....Pages 191-207
Robert Armin Do the Police in Different Voices....Pages 208-227
Front Matter....Pages 229-229
Hamlet’s Smile....Pages 231-242
‘The technique of it is mature’: Inventing the Late Plays in Print and in Performance....Pages 243-260
Back Matter....Pages 261-267