Engineering of Music for the Digital Age: Creativity in Musical Composition

Cover
Half Title
Series Page
Title Page
Copyright Page
Table of Contents
Preface
Acknowledgement
List of Figures
List of Tables
List of Abbreviations
Chapter 1: Music Maker: Introduction
	1.1: Themes of the Book
	1.2: Democratization of Creation
	1.3: Is Music a Science or an Art?
	1.4: The Rest of the Book
	1.5: Sidebar – Music and Limitless Possibilities
Chapter 2: Form in Composition
	2.1: Introduction
	2.2: Form
	2.3: One-part Forms
	2.4: Binary Form
	2.5: Variation Form
	2.6: Ternary Form
	2.7: Rondo Form
	2.8: Sonata Form
	2.9: Song Forms
	2.10: Fantasia
	2.11: Other Structural Elements
	2.12: Sidebar – Creative Sources for Musical Composition
	2.13: Summary
Chapter 3: Phrase, Period, and Expression
	3.1: Introduction
	3.2: The Phrase
	3.3: Ingredients: Rhythm–Melody–Harmony
	3.4: Connecting Phrases
	3.5: Emerging Patterns
	3.6: Digitally Calculable Possibilities
	3.7: Sidebar – How Being an Omnivore Aids in Musical Composition
	3.8: Summary
Chapter 4: Rhythm/Motive
	4.1: Introduction
	4.2: Meter
	4.3: Rhythmic Devices
	4.4: Motive
	4.5: Sidebar: Creative Sources for Musical Composition
	4.6: Summary
Chapter 5: Melody and Harmony
	5.1: Introduction: Melody and Harmony
	5.2: Chord Progression
	5.3: Melody and Harmony in Texture
	5.4: Harmonic and Non-harmonic Tones
	5.5: Sidebar: Patterns for Creating Music
	5.6: Summary
Chapter 6: Tonal Center
	6.1: Introduction
	6.2: Tonality
	6.3: Modality
	6.4: Atonality
	6.5: Sidebar
	6.6: Summary
Chapter 7: Mode Mixture and Modulation
	7.1: Introduction
	7.2: Mode Mixture
	7.3: Borrowed Chords
	7.4: Tonicization
	7.5: Chromaticism
	7.6: Modulation
	7.7: Obscuring the Key
	7.8: Sidebar
	7.9: Summary
Chapter 8: Accompaniment/Instrumentation/ Orchestration
	8.1: Introduction
	8.2: Texture
	8.3: Accompaniment
	8.4: Orchestration/Arrangement/Instrumentation
	8.5: Sidebar
	8.6: Summary
Chapter 9: Compositional Techniques
	9.1: Introduction
	9.2: Variation
	9.3: Development
	9.4: Transformation
	9.5: Sidebar
	9.6: Summary
Chapter 10: Notation Document Creation
	10.1: Introduction
	10.2: Types of Notation
	10.3: What Time Signature?
	10.4: Other Notational Concerns
	10.5: Sidebar: Music as a Document
	10.6: Summary
Chapter 11: Application (Democratization of Creation)
	11.1: Introduction
	11.2: Bach’s Prelude in C Major BWV 846
	11.3: Selected Mozart Sonata Movements
	11.4: Tárrega Capricho Árabe
	11.5: Paganini Caprice Op. 1, No. 1
	11.6: Debussy Prelude “Voiles”
	11.7: Sidebar
	11.8: Summary
Chapter 12: WWWD?
	12.1: Sky Echo the Blue Whale
	12.2: Dances with Traffic
	12.3: Siri-ously? That’s All It Takes?
	12.4: Headband Harmony
	12.5: My What Big Hands You Have
	12.6: Modern Mozart and Musical Meaning
Index
About the Authors