Emerging Bodies: The Performance of Worldmaking in Dance and Choreography

Contents\nIntroduction\nSOCIAL REALMS\n	Dancing Politics: Worldmaking in Dance and Choreography\n	Between Intervention and Utopia: Dance Politics\n	Dance and Work: The Aesthetic and Political Potential of Dance\n	The Collective That Isn’t One\nHYBRID SPHERES\n	Jérôme Bel and Myself: Gender and Intercultural Collaboration\n	Transnationalism and Contemporary African Dance: Faustin Linyekula\n	Flee(t)ing Dances! Initiatives for the Preservation and Communication of Intangible World Heritage in Museums\n	The Bluff of Contemporary Dance\nART WORLDS\n	Transcription – Materiality – Signature. Dancing and Writing between Resistance and Excess\n	Autobiography and the Coulisses: Narrator, Dancer, Spectator\n	Dance Images. Dance Films as an Example of the Representation and Production of Movement\n	Against the Beat. Music, Dance and the Image in Michelangelo Antonioni’s Blow-Up\nDIGITAL WORLDS – PROCESSING BODIES\n	Gesture Capture: Paradigms in Interactive Music/Dance Systems\n	Tables of Weights and Measures: Architecture and the Synchronous Objects Project\n	Synchronous Objects, Choreographic Objects, and the Translation of Dancing Ideas\nWORKING PRINCIPLES\n	Communicating, Distilling, Catalyzing. On the Creation of Dance Congress Worlds\n	Situational Worlds. Complicity as a Model of Collaboration\n	Protocols of Encounter: On Dance Dramaturgy\n	Notes on Contributors