Elena Ferrante as World Literature

Title Page\nCopyright Page\nContents\nAcknowledgments\nChronology of Elena Ferrante’s Works and Abbreviations Used\nChapter 1: Introduction: P Elena Ferrante, World Literature, and the Work of Literary Translation\n	World Literature and the Creation of Elena Ferrante\n	Ferrante’s Feminine Imaginary\n	Ferrante’s Female Genealogies\n	The Translator as Seamstress: Figures of Translation from the Periphery to the Center\n	Elena Ferrante as World Literature: An Overview\nChapter 2: Frantumaglia and Smarginatura: The Borders of a Universal Feminine Imaginary\n	Incisions and Inscriptions of the Body\n	The Parameters of Frantumaglia\n	Smarginatura in the Neapolitan Novels\n	The “Mothers” of Smarginatura\n	Women Who Write\nChapter 3: Binding and Unbinding the Maternal Body and Voice\n	Desire and Disgust for the Mother\n	Conflations and Inversions: Mothers, Daughters, Dolls\n	Enclosing the Maternal Body: Cellars, Locked Apartments, Clothes\n	Laughing Bodies and Grotesque Gestures\n	Dead Mothers and Corporeal Flows\nChapter 4: Outside the Frame: The Aesthetics of Female Creativity and Authorship\n	Inside the Frame: The (Nude) Female Body-as-Parts\n	Inside the Frame: Mirrors, Collages, Still Lifes\n	Outside the Frame: Creating a Female Artistic Legacy\n	The Neapolitan Novels and Female Friendship, Writing, Authorship\nChapter 5: Mapping Urban Feminine Topographies\n	Walking the Streets of Topographic Memory in Troubling Love\n	Symbolic and Literal Labyrinth in the Neapolitan Novels\n	From Naples to Turin: Urban Itineraries of Abandonment\nEpilogue: Reverse Maps, Familial Objects, and Open Frames in The Lying Life of Adults\n	Mapping in Reverse\n	Familial Objects\n	Open Frames\nNotes\nWorks Cited\nIndex