Early English Composers and the Credo (Routledge Research in Music)

Cover
Half Title
Series Page
Title Page
Copyright Page
Dedication
Table of Contents
List of Charts
List of Examples
List of Tables
Preface
List of Abbreviations
1 Musical-Linguistic Perspectives on Sixteenth-Century Credos
	Introduction
	Basic Concepts
	Linguistic Theory and Music
	Style Analysis as a Framework
	Conclusion
2 Musical-Linguistic Emphasis as Interpretation
	Introduction
	Theory of Emphasis as Interpretation
	Conclusion
3 John Taverner’s Credos
	Introduction
	Background Context
	Foreground Content
	Musical-Textual Concrescence
	Conclusion
4 Christopher Tye’s Credos
	Introduction
	Background Context
	Foreground Content
	Musical-Textual Concrescence
	Conclusion
5 Thomas Tallis’s Credos
	Introduction
	Background Context
	Foreground Content
	Musical-Textual Concrescence
	Conclusion
6 John Sheppard’s Credos
	Introduction
	Background Context
	Foreground Content
	Musical-Textual Concrescence
	Conclusion
7 William Byrd’s Credos
	Introduction
	Background Context
	Foreground Content
	Musical-Textual Concrescence
	Conclusion
8 Conclusion
	Approach
	Application
	Assessment
	Conclusion
Appendix: Credo Text
Index