Drawn from Life: Issues and Themes in Animated Documentary Cinema

Contents\nList of Figures\nThe Contributors\nEditors’ Introduction\nContributors\nPart 1 Past and Present\n1. From Contextualisation to Categorisation of Animated Documentaries\n2. Before Sound, there was Soul: The Role of Animation in Silent Nonfiction Cinema\n3. Indeterminate and Intermediate or Animated Nonfiction: Why Now?\nPart 2 Defining Terms and Contexts\n4. Animated Documentary, Recollection, ‘Re-enactment’ and Temporality\n5. The Documentary Attraction: Animation, Simulation and the Rhetoric of Expertise\n6. Never Mind the Bollackers: Here’s the Repositories, Sites and Archives in Nonfiction Animation\nPart 3 Films and Filmmakers\n7. Drawings to Remember\n8. Adorno, Lewis Klahr and the Shuddering Image\n9. The Reasons for Animating Reality: Animated Documentary and Re-enactment in the Work of Jonas Odell\n10. Memory Drawn into the Present: Waltz with Bashir and Animated Documentary\nPart 4 Practice-based Perspectives\n11. Making The Trouble with Love and Sex\n12. ‘Does this look right?’ Working Inside the Collaborative Frame\n13. Creative Challenges in the Production of Documentary Animation\nIndex