Drawing the Greek Vase

Cover
Drawing the Greek Vase
Copyright
ACKNOWLEDGEMENTS
CONTENTS
LIST OF CONTRIBUTORS
LIST OF ILLUSTRATIONS
LIST OF ABBREVIATIONS
1: Introduction
	BIBLIOGRAPHY
2: Why Drawing Still Matters: Connecting Hands and Minds in the Study of Greek Vases
	DRAWING AS EPISTEMIC PRACTICE AND THE TAXONOMIES OF EARLY MODERN ANTIQUARIANISM
	TRACES RECONCEIVED AS FORMS AND THE NEOCLASSICAL RECONCEPTUALIZATION OF DRAWING
	IN PURSUIT OF COMPREHENSIVE CLASSIFICATION IN THE TWENTIETH CENTURY
	PROCESSES OF KNOWING: DRAWING, TOUCH, AND CRAFT
	BIBLIOGRAPHY
3: Winckelmann’s Elegant Simplicity: From Three to Two Dimensions and Back Again
	EARLY MODERN DRAWING OF GREEK VASES AND THEIR DISEGNI
	ELEGANT SIMPLICITY
	CONTOUR AND EXPRESSION: THICK AND THIN
	ARTISTS’ USE OF DRAWINGS OF GREEK VASES
	ARTISTS’ USE OF DRAWINGS OF PAINTED DECORATION ON GREEK VASES
	CONCLUSION
	BIBLIOGRAPHY
4: The Graphic Medium and Artistic Style: Thomas Hope (1769–1831) and Two-Dimensional Encounters with Greek Vases
	INTRODUCTION
	VASES AS ARCHAEOLOGICAL ARTEFACTS IN COLOURFUL PICTURESQUE: EVOCATION OF THE PAST AND SELF-FASHIONINGIN THE PRESENT
		Thomas Hope, ‘Athens, A view of the Lysikrates Monument’, c.1787–95
		Joseph Michael Gandy, A Greek Tomb, before 1818
		Sir Martin Archer Shee, Portrait of Louisa Hope, c.1807
	PUBLISHED ENGRAVINGS IN NEOCLASSICAL OUTLINE: BOOK AND MODEL
		Thomas Hope, Household Furniture and Interior Decoration (London, 1807)
		Thomas Hope, Costume of the Ancients (London, 1809 and 1812)
		Designs of Modern Costume, with engravings by Henry Moses (London: 1812)
	CONCLUSION
	BIBLIOGRAPHY
5: The Flattened Greek Vase
	INTRODUCTION
	D’HANCARVILLE’S MODELS OF MAGNIFICENCE
	EDUARD GERHARD’S SELECTED VASES
	CONCLUSION
	BIBLIOGRAPHY
6: Images of Greek Vases as a Basis for a Scientific Archaeology: Investigating the Archival Legacy of the Gerhard’scher Apparat’s Drawings
	THE STUDY OF GREEK VASES IN THE 1830s
	BELLES INFIDÈLES: EIGHTEENTH-CENTURY REPRESENTATIONS OF GREEK VASES
	THE NATURE OF THE APPARAT
	THE COPYING OF GREEK VASES IN THE GERHARD’SCHER APPARAT: ACCURACY AND STANDARDIZATION
	DRAUGHTSMEN AND THE NETWORK OF RELATIONSHIPS
	DISSEMINATION AND PUBLICATIONS OF THE DRAWINGS
	BIBLIOGRAPHY
7: Volume and Scale: Adolf Furtwängler and Karl Reichhold’s Hervorragende Vasenbilder and the Study of Visual Narrative on Late Fifth-Century Vases
	THE MEIDIAS PAINTER AND HIS CIRCLE
	FURTWÄNGLER–REICHHOLD’S HERVORRAGENDE VASENBILDER
	THE LONDON HYDRIA IN FURTWÄNGLER–REICHHOLD
	THE KARLSRUHE HYDRIA IN FURTWÄNGLER–REICHHOLD
	THE STUDY OF LATE FIFTH-CENTURY VASES IN THE EARLY TWENTIETH CENTURY
	CONCLUSIONS
	BIBLIOGRAPHY
8: Drawing as an Instrument of Connoisseurship: J. D. Beazley and His Late Nineteenth-Century Forerunners
	THE USE OF DRAWING IN THE STUDY OF VASE PAINTERS’ STYLES BEFORE BEAZLEY
	FROM THE MATERIALITY OF THE ARCHAEOLOGICAL OBJECT TO THE INDIVIDUAL PAINTER’S STYLE: TRACING MASTER AND MINOR LINES FROM VASES AND PHOTOGRAPHS
	BEAZLEY’S DRAWINGS: THE IMPORTANCE OF DETAILS AND FRAGMENTS FROM FREEHAND DRAWING TO TRACING
	CONCLUSION
	BIBLIOGRAPHY
9: Drawing the Greek Vase: A British Museum Illustrator’s Perspective
	INTRODUCTION
	ILLUSTRATORS OF GREEK VASES IN THE BRITISH MUSEUM
		Frerick Anderson (1893–1912)
		Charles Oliver Waterhouse (1915–38)
		Susan Bird (1978–98)
		Candida Lonsdale (1999–2000)
		Kate Morton (2000–)
	MY PRACTICE AS AN ILLUSTRATOR
		Profile Drawings of Whole Vases
		Reconstruction Drawings of Pot Forms Using Pot Sherds
		Reconstruction Drawings of the Vase Decoration
	FINAL THOUGHTS
	BIBLIOGRAPHY
10: Drawing vs Photography: On the Gains and Losses of Technical Innovation
	ASPECTS OF GREEK VASES THAT ARE PRESERVED IN DRAWINGS BUT LOST IN PHOTOGRAPHS
		Differences in Size
		Drawing and Artistic Effort
		The Painted Vase as a Three-Dimensional Object
	ASPECTS OF GREEK VASES THAT ARE PRESERVED IN PHOTOGRAPHS BUT LOST IN DRAWINGS
		The Painting’s Connection to the Three-DimensionalObject
		The Vase’s Aesthetic Allure: Colour, Glaze and Brilliance
	THE USE OF PHOTOGRAPHY IN ACADEMIC PUBLICATIONS
	CONCLUSION
	BIBLIOGRAPHY
11: The Use of Photographs in the Trade of Greek Vases
	THE USE OF PHOTOGRAPHS IN AUCTION CATALOGUES
	CONTEXTUALIZING THE COLLECTION
	PHOTOGRAPHS IN THE ARCHIVES OF ART DEALERS
	THE JOHN MARSHALL ARCHIVE
	CONCLUSION
	BIBLIOGRAPHY
12: Afterword
	DRAWING ACROSS TIME
	DRAWING CLOSER TO THE (DIGITAL) FUTURE
	BIBLIOGRAPHY
INDEX
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