Digital tradition : arrangement and labor in Istanbul’s recording studio culture

Content: Cover 
 Digital Tradition: Arrangement and Labor in Istanbul's Recording Studio Culture 
 Copyright 
 Contents
 List of Illustrations
 Preface and Acknowledgments
 Notes About Language
 About the Companion Website
 Part 1: A Digital Tradition of Arrangement 
 Chapter 1: ARRANGEMENT AND ENGINEERING 
 Arrangement and Arrangers 
 Engineering and Engineers 
 Social, Technical, Musical things 
 Research Methodology 
 Chapter 2: TRADITION 
 Discourses of Tradition and Place 
 Problems of Place and Identity 
 Traditions of Work 
 Part 2: Arranged Histories and Arrangement Industries Chapter 3: ARRANGED FOLKLORE IN EARLY REPUBLICAN TURKEY The Demand for Folklore 
 A Source-Resource Model for Analyzing Derleme 
 Folklore at the Birth of the Republic 
 Folklore Institutions During the One-party Era 
 Folklore And Mass Media in the Multi-Party Era 
 Musical Practices of Arrangement, Cleaning, and Restoration 
 Cultural Geographies of Village, Town, City, and Nation 
 Postscript: Revisiting Altun Karahan 
 Chapter 4: THE ANATOLIAN "ETHNIC" MUSIC INDUSTRY 
 The Growth of Turkey's Recorded Music Industry 
 Industries and Ortak -s 
 Ethnic Language Politics and Emerging Markets University Ensembles: Grup Yorum, Kardeş Türküler, and Zuğaşi Berepe Organizational and Production Networks: The Role and Legacy of Kalan Müzik Yapım 
 Concerns With Foreign Perceptions 
 Social Networks and The Nature of Professions 
 Negotiating Outside Actors 
 Part 3: The Recording Studio Assemblage in Istanbul 
 Chapter 5: THE EXPERIENCE OF STUDIO WORK 
 Auditory Images and "Visions" of the Song Arrangement 
 Studio Listening Modalities and Technologies of Audition 
 Latencies 
 Built Environments and Social Dynamics 
 Chapter 6: DIGITAL Hearing Digital data, Visualizing Anatolian Soundings: Synesthesia in the Studio Digital Audio, Music, and Nonmusical Sound 
 Acoustic Instruments and Indirect Computer Users 
 Chapter 7: AESTHETIC KEYWORDS OF THE STUDIO 
 Denge/Denk/Denk Gelmek: Balance and Suitability 
 Fena Değİl and Oldu Galİba: The Aesthetics of "Not Bad" When Mixes Happen 
 Tavır, Yorum, and The Art of Interpretation 
 Renk Enstrümanları 
 Parlak and Büyük Ses 
 Aesthetic Relations 
 Part 4: Case Studies in Arranged Music 
 Chapter 8: ARRANGED MUSIC AND THE DÖNEM FİLMİ GENRE 
 Analyzing Film Music and Sound The Dönem Filmi Genre Vizontele (2001) and the Formation of a New Film music Genre 
 Beynelmilel (2006) and the Problems of Leitmotif 
 Ozlem Taner's "Kara Tren/Seher Inende" (Black Train/Dawn Falls) 
 Dönem Films as Technological Tragic Comedies 
 Chapter 9: ARRANGING THE BLACK SEA 
 Finding the Karadenİz 
 Gökhan Bİrben, "Hele Mele" (on the Outside) 
 Gökhan Bİrben, "Denİzde Dalga Bİrdur" (There's a Wave in the Ocean) 
 Bİzİm Yaşar Kabaosmanoğlu, "Nennİ Nennİ" 
 Fatİh Yaşar, "Sİrlarumİ Söyledum" (I Told my Secrets to the Smoke on the Mountain)