Digital Sound Studies

Preface  vii
Acknowledgements  xi
Introduction / Mary Caton Lingold, Darren Mueller, and Whitney Trettien  1
I. Theories and Genealogies
1. Ethnodigital Sonics and the Historical Imagination / Richard Cullen Rath  29
2. Performing Zora: Critical Ethnography, Digital Sound, and Not Forgetting / Myron M. Beasley  47
3. Rhetorical Folkness: Reanimating Walter J. Ong in the Pursuit of Digital Humanity / Jonathan W. Stone  64
II. Digital Communities
4. The Pleasure (Is) Principle: Sounding Out! and the Digitizing of Community / Aaron Trammell, Jennifer Lynn Stover, and Liana Silva  83
5. Becoming OutKasted: Archiving Contemporary Black Southernness in a Digtal Age / Regina N. Bradley  120
6. Reprogramming Sounds of Learning: Pedagogical Experiments with Critical Making and Community-Based Ethnography / W. F. Umi Hsu  130
III. Disciplinary Translations
7. Word. Spoken. Articulating the Voice for High-Performance Sound Technologies for Access and Scholarship (HiPSTAS) / Tanya E. Clement  155
8. "A Foreign Sound to Your Ear": Digital Image Sonification for Historical Interpretation / Michael J. Kramer  178
9. Augmenting Musical Arguments: Interdisciplinary Publishing Platforms and Augmented Notes / Joanna Swafford  215
IV. Points Forward
10. Digital Approaches to Historical Acoustemologies: Replication and Reenactment / Rebecca Dowd Geoffroy-Schwinden  231
11. Sound Practices for Digital Humanities / Steph Ceraso  250
Afterword. Demands of Duration: The Futures of Digital Sound Scholarship / Jonathan Sterne, with Mary Caton Lingold, Darren Mueller, and Whitney Trettien  267
Contributors  285
Index  291