Design Commons: Practices, Processes and Crossovers (Design Research Foundations)

Acknowledgments
Contents
Author Biographies
Chapter 1: An Introduction to Design Commons
	1 (De)sign Expressions
	2 Commons and Commoning
	3 Design Commons…
		3.1 …and the Social
		3.2 …and Culture
		3.3 …and Ecology
		3.4 …and Transdisciplinarity
	4 Designing a World
	References
Part I: Design, the Commons and the Social
	Chapter 2: Commoning as a Material Engagement of Resistance: The Struggle to Save the Albanian National Theater
		1 An Ideologically Contaminated Collectivity
		2 The Albanian Theater
			2.1 An Agential Material-Human Formation
			2.2 Survival Struggles of an Ecology of Practice
			2.3 Politically and Emotionally Loaded Matter
		3 Conclusion
		References
	Chapter 3: AutoCostruzione-SelbstBau: Design as a Practical Knowledge Translation Process
		1 AutoCostruzione-SelbstBau: Case Study as Product
		2 Design Thinking In-the-Making: Methodology as Sharable Praxis
			2.1 Self-Production: The Role of Materiality and Situated Techniques in the Programming Phase
			2.2 Co-Production: The Definition of a Common Practical Knowledge
			2.3 Re-Production: Towards the Repetition of a Self-Building Typology
		3 Design Thinking as Adaptive Process and Practice
		4 Conclusions
		References
	Chapter 4: Scaling Out, Up and Deep Understanding the Sustainment and Resilience of Urban Commons
		1 Sustainment and Resilience of Urban Commons
		2 Governing and Expanding Urban Commons
		3 Scaling Out, Up and Deep
			3.1 Scaling Out
			3.2 Scaling Up
			3.3 Scaling Deep
		4 Conclusion
		References
	Chapter 5: Alignments of Architecture and Commoning in Tai O Village Architecture Critique and Fields of Adversity
		1 Tai O Village: Situation and Commoning’s Relevance
		2 The Commons and Commoning: Resources Concerned and Participation Models
		3 Architectural Critique as Foundational Structure
		4 Expanding Rhetorical Bounds, Partial Alignments
		5 Architecture in Tai O Village: Critical Appraisal of Architectural Products
		References
Part II: Design, the Commons and Culture
	Chapter 6: Persistent Modeling of the Built A Collective Experiment Merging Structural Preservation and Digital Design Between Academia and Industry
		1 Context in “Commons”
			1.1 Digital Agencies
			1.2 Novel Design Perspectives
			1.3 Preservation and Commons
		2 Method
			2.1 Persistent Modeling
			2.2 Foundation Injection
		3 Study
			3.1 Initial Survey and Ideal Model
			3.2 Deviation and Translation Analysis
			3.3 Intervention
			3.4 Post-Intervention Recording and Analysis
		4 Conclusion
		References
	Chapter 7: The Commons in African Spatial Production: A Critical Review of Geographies of Power
		1 Tracing the Origins of Materialism and Instrumentalization
			1.1 Clashing Systems
			1.2 The West Awakens
			1.3 Finding Alternatives – Comparing Contexts
			1.4 Theoretical Landscape
			1.5 Situating the Argument
		2 Case Studies
			2.1 Johannesburg
			2.2 Tshwane
		3 Observations
			3.1 Land and Divisive Representation
		4 Conclusion
		References
	Chapter 8: Expressing Urban Commons: Architectural Ambiguity in the Construction of an Improvisational Future
		1 Living with Ambiguity: Cities Today, Cities Tomorrow
		2 Composing Ambiguity: Communicative Structures for Urban Commons
		3 Encountering Ambiguity: Body, Memory, Movement
		4 Conclusion: Towards an Improvisational Architecture
		References
Part III: Design, the Commons and Ecology
	Chapter 9: Intriguing Human-Waste Commons: Praxis of Anticipation in Urban Agroecological Transitions
		1 Radical Agroecological Transitions and Design Commons
		2 Examples of Human-Waste Commons in Brussels, Hong Kong and Berlin
		3 Findings: Praxis of Anticipation as an Operational Mode for Design Commons
		4 Advance Care: Embodying More-Than-Human Solidarities
		5 Deconstructing Worldviews: Resisting the Logics of Substitution
		6 Programmatic Affirmation: Infrastructures Enabling Resourceful Communities
		7 Conclusion: Praxis of Anticipation as Operative Mode in Commoning
		References
	Chapter 10: The Secondary Use Group: Unlocking Waste as a Common Pool of Resources in the 1970s
		1 The 1970s as a Forge of New Concepts Concerning Common Resources
		2 Contemporary Discourses of Urban Commons
		3 Martin Pawley, Waste Materials Reused to Build Houses
		4 A First Attempt to Reuse Urban Waste
		5 The Operation of Harvesting Materials as Immaterial Commons
		6 Two-Person Dwelling and a Greenhouse
		7 Waste as a Resource for Interior Design
		8 The Tin-Can Beam as a Waste Backbone
		9 Conclusions
		References
	Chapter 11: Reclaiming the Habitat: Food, Fire and Affordance in Designing and Living the Urban
		1 Ecosystemic Emergency
		2 Theory as Reciprocal Reclaimer for Practice
		3 Post-Human Habitations
		4 Disorders of Affordance
			4.1 Feasting – Food as Urban Tactics
			4.2 Flaming – Fire as Urban Tactics
		5 Digestions and Incinerations – Return to Inauguration
		References
Part IV: Design, the Commons and Transdisciplinarity
	Chapter 12: Design and Commons: A Lacanian Approach
		1 Lacanian Concepts as an Interpretive Tool
		2 Design Ontology and Contemporary Design
		3 Commons and Commoning
		4 Is (the Quest for) Autonomy the Answer?
		5 Conclusion
		References
	Chapter 13: “Matters of Care” in Spaces of Commoning: Designing In, Against and Beyond Capitalism
		1 Design as a Transformative Practice
		2 Design(ing) and Commoning – Towards New Value Practices
		3 Matters of Care as Relational Entanglements
		4 Becoming with Wood, Words, and Garments
		5 Conclusions
		References
	Chapter 14: Design as Commoning: Drawing Together with Care
		1 The Polemics of (Design) Commons
		2 (Un)common Trajectories
			2.1 Managing and Reclaiming the Commons
			2.2 The Contradictions of Urban Commons
			2.3 Commoning as Politicizing Livelihood Relations
		3 Drawing Together Matters of Care
			3.1 Drawing-Together Those Who Have Nothing in Common
			3.2 Drawing, Together, Common-Enough Worlds
		4 Conclusion: Towards Design as Commoning
		References
Index