Defiant Sounds: Heavy Metal Music in the Global South (Extreme Sounds Studies: Global Socio-Cultural Explorations)

Contents\nIntroduction\nSECTION 1 Conceptualizing the Distorted South\n	Chapter 1 Metal Music in the Distorted South\nSECTION 2 Hope\n	Chapter 2 An Exegesis of Excess\n	Chapter 3 Reclaiming Aotearoa\n	Chapter 4 “A Whole New Type of Isolation”\nSECTION 3 Social Change\n	Chapter 5 “We Play Heavy Metal Because Our Lives Are Heavy Metal”\n	Chapter 6 Youth Activism and Decolonial Metal\n	Chapter 7 Coloniality and Gender in the Argentinian Metal Scene\nSECTION 4 Dialogues\n	Chapter 8 An Interview on Contar/Cantar Memórias da Resistência\n	Chapter 9 Misusing Things in Metal Music\n	Chapter 10 The Alternative Side of the Frame\n	Chapter 11 A Dialogue on Metal Festivals and Social Justice\nSECTION 5 Diaspora\n	Chapter 12 The Ultra-Violence\n	Chapter 13 “Somewhere They Belong”\nSECTION 6 Transgression\n	Chapter 14 Ancient, Evil, and African\n	Chapter 15 The Influence of Different Satanic Panics on the Transgressive Practices of Metal Music in Egypt, Iran, and Syria\nSECTION 7 Resistance and Community\n	Chapter 16 Decolonizing the Mind’s Eye\n	Chapter 17 Nongkrong, Value of Community, and Everyday Resistance in the Indonesian Metal Scene\n	Chapter 18 Satan Wasn’t There\nEpilogue\nIndex\nAbout the Editors