Cosmopolitan Cinema: Cross-cultural Encounters in East Asian Film

Cover
Half-title
Endorsements
Series information
Title page
Copyright information
Table of contents
List of illustrations
Foreword
Acknowledgements
Introduction: Cosmopolitanism and the cinema
1 The cosmopolitan challenge of multilingual cinema
	Multilingual Chineseness in Hong Kong cinema
	Dubbing and subtitling in Japanese animation
	Must cosmopolitanism speak?
	Concluding remarks
2 Cosmopolitan memory and self-reflexive cinema
	Self-reflexive memory and witness
	Self-reflexive memory and performance
	Self-reflexivity and (animated) form
	Concluding remarks
3 Film festivals and cosmopolitan affect
	Filmic encounters
	Spatial encounters
	Cultural literacy and cosmopolitan affect
		‘What a wonderful film!’
		‘How can you show a film like this?!’
		‘That film, very good!’
	Concluding remarks
4 Embodiment as (cosmopolitan) encounter
	Gallery bodies and films
	Embodiment and encounter
	Cosmopolitan geographies
	The cosmopolitan body
Postscript: Critical cosmopolitanism and comparative cinema
Notes
	Foreword
	Introduction: Cosmopolitanism and the cinema
	1 The cosmopolitan challenge of multilingual  cinema
	2 Cosmopolitan memory and self-reflexive cinema
	3 Film festivals and cosmopolitan affect
	4 Embodiment as (cosmopolitan) encounter
	Postscript: Critical cosmopolitanism and comparative cinema
Bibliography
Filmography
Index