Contradictory Woolf: Selected Papers from the Twenty-First Annual International Conference on Virginia Woolf

Table of Contents
Preface
Introduction
Acknowldegments
List of Abbreviations
Judith Allen, "'But...I had said "but" too often.' Why 'but'?"
Michael H. Whitworth, "Woolf, Context, and Contradiction"
Patricia Waugh, "'Did I not banish the soul?' Thinking Oth
erwise, Woolf-wise"
Suzanne Bellamy, "'The Play's The Thing BU
T We Are The Thing Itself.' Prologue, Performance and Painting."
Marina Warner, "Report to the Memoir Club: Scenes from a Colonial Childhood"
Lois J. Gilmore, "'But somebody you wouldn't forget in a hurry': Bloomsbury and the Contradictions of African Art"
Maggie Humm, "Contradictions in Autobiography: Virginia Woolf's Writings on Art"
Amber K. Regis, "'But something betwixt and between': 'Roger Fry' and the Contradictions 
of Biography"
Oren Goldschmidt, 
"'Can "I" Become "We"?': Addressing Community in 'The Years' and 'Three Guineas'"
Laci Mattison, "Woolf's Un/Folding(s): The Artist and the Event of the Neo-Baroque"
Angeliki Spiropoulou, "Woolf's Contradictory Thinking"
Sowon S. Park, "The Feeling of Knowing in 'Mrs. Dalloway': Neuroscience and Woolf"
Stella Bolaki, 
"'When the lights of health go down': Virginia Woolf's Aesthetics and Contemporary Illness Narratives"
Janet Winston, "
Kinetic Tropes, Comedic Turns: Dancing 'To the Lighthouse'"
Claire Nicholson, "But Woolf was a sophisticated observer of fashion...: Virginia Woolf, Clothing and Contradiction"
Vara S. Neverow, "Bi-sexing the Unmentionable Mary Hamiltons in 'A Room of One's Own': The Truth and Consequences of Unintended Pregnancies and Calculated Cross-Dressing"
Katharine Swarbrick, "Lacanian 'Orlando'"
Jeanne Dubino, "The Bispecies Environment, Coevolution, and 'Flush'"
Derek Ryan, "From Spaniel Club to AnImalous Society: Virginia Woolf's 'Flush'"
Sam Wiseman, "Ecology, Identity and Eschatology: Crossing the Country and the City in Woolf"
Diane F. Gillespie, "'Please Help Me!' Virginia Woolf, Viola Tree, and the Hogarth Press"
Madelyn Detloff, "'Am I a Snob?' Well, sort of: Socialism, Advocacy, and Disgust in Woolf's Economic Writing"
Kathryn Simpson, "'Come buy, come buy': Woolf's Contradictory Relationship to the Marketplace"
Makiko Minow-Pinkney, "Virginia Woolf and December 1910: The Question of the Fourth Dimension"
Jocelyn Rodal, "Virginia Woolf on Mathematics: Signifying Opposition"
Amanda Golden, "'A Brief Note in the Margin': Virginia Woolf and Annotating"
Gill Lowe, "'Observe, Observe Perpetually,' Montaigne, Virginia Woolf and the 'Patron au Dedans'"
Kristin Czarnecki, "Who's Behind the Curtain? Virginia Woolf, 'Nurse Lugton's Golden Thimble,' and the Anxiety of Authorship"
Claire Davison, "Virginia Woolf and the Russian Oxymoron"
Rebecca DeWald, "'A Dialogue...about this Beauty and Truth': Jorge Luis Borges's Translation of Virginia Woolf's 'Orlando'"
Leslie Kathleen Hankins "'As I spin along the roads I remodel my life': Travel Films 'projected into the shape of "Orlando"'"
John Coyle, "Travesty in Woolf and Proust"
Wayne K. Chapman, "Woolf, Yeats, and the Making of 'Spilt Milk'"
Sara Sullam, "Figures of Contradiction: Virginia Woolf's Rhetoric of Genres"
Ian Blyth, "Do not feed the births: 'Night and Day' and the Defence of the Realm Act"
Karen L. Levenback, "Approaches to War and Peace in Woolf: 'A Chapter on the Future'"
Cecil Woolf, "Duncan Grant"
Notes on Contributors
Conference Program