Contemporary Screen Ethics: Absences, Identities, Belonging, Looking Anew

List of Figures
Acknowledgements
Notes on Contributors
Introduction: Absences, Identities, Belonging: Looking Anew at Screen Ethics
PART ONE HISTORIES AND ABSENCES
	1. Domestic Work, Gender, Race, Class and the Ethical Paradox of the Big House in Brazilian Cinema
	2. Cinematic Ethics and a World of Cinemas: A Reason to Believe in this World’s History in Hu Jie’s Wo sui si qu/Though I am Gone
	3. Memory, Witnessing and Re-enactment: The Look of Silence, S21: The Khmer Rouge Killing Machine  and Cinematic Ethics
PART TWO BODIES AND IDENTITIES
	4. Becoming Beyoncé: Disidentification and Racial Imaginaries
	5. Race, Bodies and Altered Identities in Sleight  and Us
PART THREE LOVE AND BELONGING
	6. A Planetary Whole for the Alienated: John Akomfrah’s Vertigo Sea through Jameson and Deleuze
	7. Mermaids and Superpigs: Loving Nature under Global Capitalism
	8. Dreaming of Joyce Vincent’s Life: Carol Morley’s Intersectional Ethics of Care
PART FOUR LOOKING ANEW
	9. Empathy Machines, Indifference Engines and Digital Extensions of Perception
	10. Do You See what I See? The Ethics of Seeing Race in Get Out
	11. Don’t Look Away: Production-assemblages of Rape Culture in Midi Z’s Nina Wu
Index