Conrad’s Presence in Contemporary Culture: Adaptations and Appropriations (Dqr Studies in Literature, 65)

Half Title
Series Information
Title Page
Copyright Page
Contents
List of Figures
Abbreviations
Notes on Contributors
Introduction
	1 Conrad Our Precursor
	2 What Is Conrad the Name Of?
	3 Conrad Adapting Conrad, Conrad Appropriated by Others
	Works Cited
Part 1 What Is Conrad the Name Of?
	Chapter 1 Conrad’s Presence in Contemporary French Culture
		1 The True Lies of Fiction, Old and New
		2 The Real as Sensible Stuff
		3 The Real as Timeless Presence
		4 The Chimera
		Works Cited
	Chapter 2 Conrad’s Presence in Eduardo Berti’s Un Padre Extranjero
		1 “Falk” and Anticipatory Plagiarism
		2 “It Seemed to Him That He Was Hearing His Father’s Voice”
		Works Cited
Part 2 Showing: Graphic and Filmic Metamorphoses
	Chapter 3 Contexts, Genres, and Transformations: Conradesque Novels by Robert Silverberg and Henri Bosco
		1
		2
		3
		4
		5
		6
		7
		8
		Works Cited
	Chapter 4 From Adaptation to Autonomy: Conrad’s Heart of Darkness in French and English Graphic Novels
		1 Adaptation
		2 From Fidelity to Autonomy
		3 Adaptation Strategies in Graphic Novels
		4 Biography and Heart of Darkness
		5 Visualizations of “The Grove of Death”
		6 Voicing the Congolese
		Works Cited
	Chapter 5 From Heart of Darkness to Apocalypse Oz: The Horror Shifted
		1 Proto-hypotexts
		2 Movie Adaptations of the Two Proto-hypotexts
			2.1 Apocalypse Oz
		Works Cited
	Chapter 6 Conrad, Fudakowski: Secret Sharer(s)
		1 Conrad and Fudakowski
		2 Recontextualizing Conrad’s Story
		3 Transposing the Short Story
		4 Cinematic Language
		Works Cited
	Chapter 7 The Secret Agent in Antonioni’s Writings
		1 A “Passion for Conrad”
		2 Cosmic Symbols
		3 The Violence of the Double: “Two Telegrams”
		Works Cited
Part 3 Telling: Literary Affiliations and Appropriations
	Chapter 8 Conrad and Transcultural Belonging
		1 “Not a Bad Frenchman”1
		2 “What Lingo Is That?” (tu 85)
		3 “To Be Good Europeans” (sa 172)
		4 Poland Revisited
		5 Coda: Return to Africa
		Works Cited
	Chapter 9 The Advanced Connection of Beliefs and Style: Joseph Conrad in the Eyes of Olga Tokarczuk
		1
		2
		3
		4
		Works cited
	Chapter 10 The Loneliness of a Migrant: The Intercultural Experience in Joseph Conrad and Stanisław Lem
		Works cited
	Chapter 11 Affiliations in Joseph Conrad’s Under Western Eyes and J. M. Coetzee’s The Master of Petersburg
		1 Choosing Sides
		2 Detachment and Engagement
		Works Cited
Index of Non-fictional Names
Index of Conrad’s Works
Index of Subjects