Conflict Landscapes and Archaeology from Above

Cover
Title Page
Copyright Page
Table of Contents
List of Figures
Notes on Contributors
Series Introduction: Material Culture and Modern Conflict
Series Editors’ Preface
Introduction: Conflict Landscapes and Archaeology from Above
1 The Archaeology of World War I in Comines-Warneton (Belgium) through Aerial Photographs and Proximal Soil Sensing
2 Bellewaarde Ridge (Belgium): Survey of a World War I Landscape
3 Contested Landscape: La Boisselle and the Glory Hole
4 World War I Remains in Scotland: Aerial Photography as Heritage
5 Protecting the Home Front: Understanding and Conservation of Twentieth-century Conflict Landscapes in England
6 Airborne Laser Scanning and the Archaeological Interpretation of Ireland’s World War I Landscape: Randalstown Training Camp, County Antrim, Northern Ireland
7 Aerial Perspectives on Archaeological Landscapes: The Anzac/Arıburnu Battlefields, Gallipoli, Turkey
8 Landscapes of Death and Suffering: Archaeology of Conflict Landscapes of the Upper Soča Valley, Slovenia
9 The ‘Gas-scape’ on the Eastern Front, Poland (1914–2014): Exploring the Material and Digital Landscapes and Remembering Those ‘Twice-Killed’
10 Remembering Uncertainty: The World War II Warscape of the Australian Northern Territory
11 World War II Conflict and Post-conflict Landscapes in Northwest France: An Evaluation of the Aerial Photographic Resource
12 Mapping Unexploded Ordnance in Italy: The Role of World War II Aerial Photographs
13 Erased Landscapes: Conflict, Memory and Post-World War II Landscape Transformation in Western Poland
14 A Cold War Conflict Landscape in the Borderlands of West Bohemia
15 ‘Anzac from the Air’: Re-imagining the Australian War Memorial’s Gallipoli Aerial Collection
16 Italian World War I Aerial Photographs for Landscape Study and Public Engagement
17 The Aerial Perspective in a Museum Context: Above Flanders Fields 1914–1918
Index