Configurations of Migration: Knowledges – Imaginaries – Media

Contents\nAcknowledgements\nChapter 1 Introduction: Configurations of Migration\nSection A: Visualizing Migration\nChapter 2 Imagining Migration In-Between: A Conversation with Charl Landvreugd\nChapter 3 “Migrating Reflections” on Misafir (2017)\nChapter 4 Global Warming and Climate Refugees: Facts, “Alternative Facts” and the State of Emergency\nChapter 5 Images of Migration: The Ethics and Perils of Visual Representation\nChapter 6 On Empathy and Migratory Relationalities: A Conversation with Mieke Bal\nSection B: Writing Migration\nChapter 7 “The Most Outcast Réfugié!” Knowing Migration in Friedrich de la Motte Fouqué’s The Réfugié (1824)\nChapter 8 Western Migrants in Hong Kong: Neo-Imperial Gothic and the Literary Imagination of Reverse Domination\nChapter 9 Knowledges and Morals: Narrating Consequences of Colonial Migration in Uwe Timm’s Morenga (1978)\nChapter 10 “No narrative to make sense of what had happened”: The Genres of Narrating Migration during the Yugoslav Wars in English-Speaking Literature\nChapter 11 You Can’t Breathe Water\nSection C: Performing Migration\nChapter 12 Archive-Repertoires of Memory: Knowing Migration Through Shailesh Bahoran’s Dance\nChapter 13 Performing Migration: Želimir Žilnik and Medial (Self-)Representations of “Guest Workers” in the 1970s\nChapter 14 Walking the Land: Theatre, Landscape and Britain’s Migratory Past in Black Men Walking\nChapter 15 Concluding Remarks: (Strange) Migratory Encounters\nNotes on Contributors\nIndex