Cold War Camera

project_muse_103910-3265615
10.1515_9781478023197
	Contents
	Illustrations
	Acknowledgments
	Cold War: Camera An Introduction
	Visual Alliances
	1 Ernest Cole’s House of Bondage, the United States Information Agency, and the Cultural Politics of Race in the Cold War
	2 Icon of Solidarity: The Revolutionary Vietnamese Woman in Vietnam, Palestine, and Iran
	3 Group Material’s “Art for the Future”: Visualizing Transnational Solidarity at the End of the Global Cold War
	4 Interrogating the Cold War’s Geo-Politics from Down South: Chile from Within (1990) and the Construction of a Situated Visuality
	5 Decolonization and Nonalignment: African Futures, Lost and Found
	Photo Essays
	6 Bifurcated and Parallel Histories
	7 Preservation of Terror
	Structures of Seeing
	8 Ending World War II: The Visual Literacy Class in Cold War Human Rights
	9 “Planted There Like Human Flags”: Photographs of the High Arctic and Cold War Anxiety, 1951 – 1956
	10 Urban Albums, Village Forms: Chinese Family Photographs and the Cold War
	11 Travel, Space, and Belonging in Soviet Domestic Photo Collections of the Cold War Era
	12 Exhibiting Ethnic Minorities, Democratizing History: Cold War Legacies and the Jews in Poland’s Visible Sphere
	Bibliography
	Contributors
	Index