Cold War Camera

Contents\nIllustrations\nAcknowledgments\nCold War: Camera An Introduction\nVisual Alliances\n1 Ernest Cole’s House of Bondage, the United States Information Agency, and the Cultural Politics of Race in the Cold War\n2 Icon of Solidarity: The Revolutionary Vietnamese Woman in Vietnam, Palestine, and Iran\n3 Group Material’s “Art for the Future”: Visualizing Transnational Solidarity at the End of the Global Cold War\n4 Interrogating the Cold War’s Geo-Politics from Down South: Chile from Within (1990) and the Construction of a Situated Visuality\n5 Decolonization and Nonalignment: African Futures, Lost and Found\nPhoto Essays\n6 Bifurcated and Parallel Histories\n7 Preservation of Terror\nStructures of Seeing\n8 Ending World War II: The Visual Literacy Class in Cold War Human Rights\n9 “Planted There Like Human Flags”: Photographs of the High Arctic and Cold War Anxiety, 1951 – 1956\n10 Urban Albums, Village Forms: Chinese Family Photographs and the Cold War\n11 Travel, Space, and Belonging in Soviet Domestic Photo Collections of the Cold War Era\n12 Exhibiting Ethnic Minorities, Democratizing History: Cold War Legacies and the Jews in Poland’s Visible Sphere\nBibliography\nContributors\nIndex