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ویرایش: [3 ed.]
نویسندگان: David Pogue. Scott Speck
سری: For Dummies
ISBN (شابک) : 1119847745, 9781119848783
ناشر: Wiley
سال نشر: 2021
تعداد صفحات: 384
[387]
زبان: English
فرمت فایل : PDF (درصورت درخواست کاربر به PDF، EPUB یا AZW3 تبدیل می شود)
حجم فایل: 23 Mb
در صورت تبدیل فایل کتاب Classical Music به فرمت های PDF، EPUB، AZW3، MOBI و یا DJVU می توانید به پشتیبان اطلاع دهید تا فایل مورد نظر را تبدیل نمایند.
توجه داشته باشید کتاب موسیقی کلاسیک نسخه زبان اصلی می باشد و کتاب ترجمه شده به فارسی نمی باشد. وبسایت اینترنشنال لایبرری ارائه دهنده کتاب های زبان اصلی می باشد و هیچ گونه کتاب ترجمه شده یا نوشته شده به فارسی را ارائه نمی دهد.
موسیقی کلاسیک هرگز قرار نبود هنری برای اسنوب ها باشد! در دهههای 1700 و 1800، موسیقی کلاسیک موسیقی رایج بود. مردم با دوستان خود به کنسرت می رفتند، تنقلات و نوشیدنی می آوردند و درست در وسط کنسرت تشویق می کردند. خوب حدس بزن چی؟ سیصد سال بعد، آن موسیقی به همان اندازه جذاب، هیجان انگیز و احساسی است. از باخ گرفته تا موتزارت و شوپن، بزرگترین آهنگسازان تاریخ امتحان خود را پس داده اند و همچنان شنوندگان را از هر طبقه ای به وجد می آورند. و در «موسیقی کلاسیک برای آدمکها»، عمیقاً در برخی از بهترین قطعات موسیقی که تا کنون نوشته شده است، فرو خواهید رفت. همچنین دریافت خواهید کرد: راهنمای گوش دادن ثانیه به ثانیه برای برخی از بهترین قطعات تاریخ، مشروح شده با کدهای زمانی، جدول زمانی موسیقی کلاسیک، راهنمای میدانی برای ارکستر، و پیشنهادهای شنیداری برای حمله بعدی شما به موسیقی ژانر کلاسیک ارجاعات گستردهای را برای شما فراهم میکند تا بتوانید با منابع توصیهشده به مطالعه خود ادامه دهید. مطالب آنلاین پاداش، مانند فیلمها و آهنگهای صوتی، برای کمک به درک بهتر مفاهیم کتاب Classical Music For Dummies برای هر کسی که موسیقی را دوست دارد، عالی است. این همچنین یک راهنمای بامزه و معتبر برای گسترش افق های موسیقی شما و یادگیری این است که چگونه بزرگترین آهنگسازان جهان برای هر قطعه موسیقی که از آن زمان نوشته شده است، پایه گذاری کردند.
Classical music was never meant to be an art for snobs! In the 1700s and 1800s, classical music was popular music. People went to concerts with their friends, they brought snacks and drinks, and cheered right in the middle of the concert. Well, guess what? Three hundred years later, that music is just as catchy, thrilling, and emotional. From Bach to Mozart and Chopin, history\'s greatest composers have stood the test of time and continue to delight listeners from all walks of life. And in Classical Music For Dummies, you\'ll dive deeply into some of the greatest pieces of music ever written. You\'ll also get: A second-by-second listening guide to some of history\'s greatest pieces, annotated with time codes A classical music timeline, a field guide to the orchestra, and listening suggestions for your next foray into the classical genre Expanded references so you can continue your studies with recommended resources Bonus online material, like videos and audio tracks, to help you better understand concepts from the book Classical Music For Dummies is perfect for anyone who loves music. It\'s also a funny, authoritative guide to expanding your musical horizons—and to learning how the world\'s greatest composers laid the groundwork for every piece of music written since.
Title Page Copyright Page Table of Contents Introduction About This Book Foolish Assumptions Icons Used in This Book Beyond the Book Where to Go from Here Part 1 Getting Started with Classical Music Chapter 1 Prying Open the Classical Music Oyster Discovering What Classical Music Really Is Figuring Out What You Like The Seven Habits of Highly Effective Composers Their music is from the heart They use a structure that you can feel They’re creative and original They express a relevant human emotion They keep your attention with variety and pacing Their music is easy to remember They move you with their creations Chapter 2 The Entire History of Music in 80 Pages Understanding How Classical Music Got Started Chanting All Day: The Middle Ages Gregorian chant A monk named Guido Mass dismissed! The First Composer-Saint Born Again: The Renaissance The madrigal takes off Opera hits prime time Getting Emotional: The Baroque Era Renegade notes on wheels Kings, churches, and other high rollers Antonio Vivaldi George Frideric Handel Johann Sebastian Bach Tightening the Corset: The Classical Style Joseph Haydn Wolfgang Amadeus Mozart Joseph Boulogne, Chevalier de Saint-Georges Ludwig van Beethoven: The man who changed everything Schubert and his Lieder Felix Mendelssohn Fanny Mendelssohn Falling in Love: Hopeless Romantics Carl Maria von Weber Hector Berlioz Frédéric Chopin Robert Schumann Johannes Brahms The superstars: Paganini and Liszt Liszt follows Paganini’s lead Richard Wagner Strauss and Mahler Saluting the Flag(s): Nationalism in Classical Music Bedřich Smetana Antonín Dvořák Edvard Grieg Jean Sibelius Carl Nielsen Glinka and the Mighty Fistful Peter Tchaikovsky Sergei Rachmaninoff Listening to Music of the 20th Century and Beyond Debussy and Ravel Igor Stravinsky Sergei Prokofiev Dmitri Shostakovich The Second Viennese School The Americans Chapter 3 Spotting a Sonata Symphonies First movement: brisk and lively Second movement: slow and lyrical Third movement: dancy Finale: rollicking Sonatas and Sonatinas Concertos Concerto structure The cadenza Dances and Suites Serenades and Divertimentos Themes and Variations Fantasias and Rhapsodies Tone Poems (Or Symphonic Poems) Lieder (and Follower) Leader of the Lieder Song forms Oratorios and Other Choral Works Operas, Operettas, and Arias Overtures and Preludes Ballets and Ballerinas String Quartets and Other Motley Assortments Why Do You Need a Form, Anyway? Part 2 Listen Up! Chapter 4 Dave ’n’ Scott’s E-Z Concert Survival Guide™ Preparing — or Not Knowing When to Arrive at the Concert Can I Wear a Loincloth to The Rite of Spring? The Gourmet Guide to Pre-Concert Dining Figuring Out Where to Sit — and How to Get the Best Ticket Deals To Clap or Not to Clap: That’s the Question Why nobody claps More on the insane “no-clap” policy Who to Bring and Who to Leave at Home with the Dog Recognizing Which Concerts to Attend — or Avoid — on a Date Peeking at the Concert Program The typical concert format The music itself A different kind of program Introducing the Concertmaster Finding the pitch Twisting and turning, pulling and pushing Enter the Conductor Understanding interpretation Slicing up time Reading the job description Chapter 5 For Your Listening Pleasure 1 Handel: Water Music Suite No. 2: Alla Hornpipe 2 Bach: Well-Tempered Clavier, Book 2: Prelude and Fugue in C Major 3 Mozart: Piano Concerto No. 22 in E-Flat, Third Movement 4 Beethoven: Symphony No. 5, First Movement Exposition Development Recapitulation Coda 5 Brahms: Symphony No. 4, Third Movement 6 Dvořák: Serenade for Strings, Fourth Movement 7 Tchaikovsky: Symphony No. 6, Fourth Movement 8 Debussy: La Mer: Dialogue du Vent et de la Mer 9 Stravinsky: The Rite of Spring: Opening to the End of Jeu de Rapt Introduction Danses des adolescentes (Dances of the Adolescent Girls) Jeu de rapt (Ritual of Abduction) Intermission: Backstage Tour Part 3 A Field Guide to the Orchestra Chapter 6 Keyboards & Co. The Piano Looking inside the piano Naming the notes Finding an octave Playing the black keys Looking inside the piano Pressing down the pedals Hearing the piano The Harpsichord Winning the Baroque gold medal Hearing the harpsichord The Organ Pulling out the stops Hearing the organ The Synthesizer Chapter 7 Strings Attached The Violin Drawing the bow Tuning up Playing the violin Vibrating the string The unbearable lightness of bowing Plucking the strings Hearing the violin The Other String Instruments The viola The cello The double bass The harp The guitar Chapter 8 Gone with the Woodwinds The Flute Making music out of thin air Hearing the flute The Piccolo The Oboe Playing the oboe Hearing the oboe The English Horn The Clarinet Transposing instruments Hearing the clarinet The Saxophone The Bassoon Chapter 9 The Top (and Bottom) Brass Making a Sound on a Brass Instrument The French Horn Hunting for notes: The natural horn Adding valves: The modern, treacherous horn Hearing the French horn The Trumpet Tonguing Using mutes Hearing the trumpet The Trombone Sliding around Hearing the trombone The Tuba A gaggle of tubas Hearing the tuba Pet Peeves of the Brassily Inclined Chapter 10 Percussion’s Greatest Hits The Timpani Drum roll, please! Hearing the timpani The Bass Drum The Cymbals The Snare Drum The Xylophone Other Xylo-like Instruments More Neat Instruments Worth Banging The triangle The tambourine The tam-tam and gong The castanets The whip The cowbell The ratchet Part 4 Peeking into the Composer’s Brain Chapter 11 The Dreaded Music Theory Chapter I’ve Got Rhythm: The Engine of Music Dividing up time Feeling the beat Sight-reading for the first time Making notes longer Making notes shorter Adding a dot Taking the final exam Understanding Pitch: Beethoven at 5,000 rpm Performing an experiment for the betterment of mankind 12 pitches! Notating pitches Dave ’n’ Scott’s 99.9999% Key-Determining Method Why we have keys Making the Leap into Intervals The major second The major third The fourth The fifth The major sixth The major seventh The octave Telling the difference: major and minor intervals The minor second The minor third The minor fifth (not!) — aka the tritone The minor sixth The minor seventh Getting on the Scale Constructing a Melody Getting Two-Dimensional: Piece and Harmony Major, minor, and insignificant chords Friends and relations: harmonic progressions Friends, Romans, chord progressions Listening to the oldies Put in Blender, Mix Well Getting Your Music Theory Degree Chapter 12 Once More, with Feeling: Tempo, Dynamics, and Orchestration Meet the Dynamics Duo: Soft and Loud Honey, I shrunk the LoudSoft™ Wearing Italian hairpins Getting into matters of sonic taste Throwing Tempo Tantrums Telling ’Bones from Heckelphones: Orchestration Made Easy Playing with sound colors Notating orchestrations Who’s the orchestrator? Part 5 The Part of Tens Chapter 13 The Ten Most Common Misconceptions about Classical Music Classical Music Is Boring Classical Music Is for Snobs All Modern Concert Music Is Hard to Listen to They Don’t Write Classical Music Anymore You Have to Dress Up to Go to the Symphony If You Haven’t Heard of the Guest Artist, She Can’t Be Any Good Professional Musicians Have It Easy The Best Seats Are Down Front Clapping between Movements Is Illegal, Immoral, and Fattening Classical Music Can’t Change Your Life Chapter 14 The Ten Best Musical Terms for Cocktail Parties Atonal Cadenza Concerto Counterpoint Crescendo Exposition Intonation Orchestration Repertoire Rubato Tempo Using Your New-Found Mastery Chapter 15 Ten Great Classical Music Jokes Master of Them All The Heavenly Philharmonic Brass Dates The Late Maestro Basses Take a Breather Houseless Violist Ludwig’s Grave The Weeping Violist Musicians’ Revenge One Last Viola Joke Chapter 16 Ten Ways to Get More Music in Your Life Get Involved with Your Orchestra Join a Classical Music Tour Meet the Artists — Be a Groupie Make Music Friends on the Internet Join an Unlimited Music Service Listen to Your Local Classical Station Load Up on Your Own Recordings Watch Classical Music Movies Study Up on the Classics Make Your Own Music Part 6 The Appendixes Appendix A Listen to This! Starting a Classical Music Collection List 1: Old Favorites List 2: MILD on the Taste Meter List 3: MEDIUM on the Taste Meter List 4: MEDIUM HOT on the Taste Meter List 5: HOT on the Taste Meter Appendix B Classical Music Timeline Appendix C Glossary Index EULA