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دانلود کتاب Classical Music

دانلود کتاب موسیقی کلاسیک

Classical Music

مشخصات کتاب

Classical Music

ویرایش: [3 ed.] 
نویسندگان:   
سری: For Dummies 
ISBN (شابک) : 1119847745, 9781119848783 
ناشر: Wiley 
سال نشر: 2021 
تعداد صفحات: 384
[387] 
زبان: English 
فرمت فایل : PDF (درصورت درخواست کاربر به PDF، EPUB یا AZW3 تبدیل می شود) 
حجم فایل: 23 Mb 

قیمت کتاب (تومان) : 30,000



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توجه داشته باشید کتاب موسیقی کلاسیک نسخه زبان اصلی می باشد و کتاب ترجمه شده به فارسی نمی باشد. وبسایت اینترنشنال لایبرری ارائه دهنده کتاب های زبان اصلی می باشد و هیچ گونه کتاب ترجمه شده یا نوشته شده به فارسی را ارائه نمی دهد.


توضیحاتی در مورد کتاب موسیقی کلاسیک

موسیقی کلاسیک هرگز قرار نبود هنری برای اسنوب ها باشد! در دهه‌های 1700 و 1800، موسیقی کلاسیک موسیقی رایج بود. مردم با دوستان خود به کنسرت می رفتند، تنقلات و نوشیدنی می آوردند و درست در وسط کنسرت تشویق می کردند. خوب حدس بزن چی؟ سیصد سال بعد، آن موسیقی به همان اندازه جذاب، هیجان انگیز و احساسی است. از باخ گرفته تا موتزارت و شوپن، بزرگترین آهنگسازان تاریخ امتحان خود را پس داده اند و همچنان شنوندگان را از هر طبقه ای به وجد می آورند. و در «موسیقی کلاسیک برای آدمک‌ها»، عمیقاً در برخی از بهترین قطعات موسیقی که تا کنون نوشته شده است، فرو خواهید رفت. همچنین دریافت خواهید کرد: راهنمای گوش دادن ثانیه به ثانیه برای برخی از بهترین قطعات تاریخ، مشروح شده با کدهای زمانی، جدول زمانی موسیقی کلاسیک، راهنمای میدانی برای ارکستر، و پیشنهادهای شنیداری برای حمله بعدی شما به موسیقی ژانر کلاسیک ارجاعات گسترده‌ای را برای شما فراهم می‌کند تا بتوانید با منابع توصیه‌شده به مطالعه خود ادامه دهید. مطالب آنلاین پاداش، مانند فیلم‌ها و آهنگ‌های صوتی، برای کمک به درک بهتر مفاهیم کتاب Classical Music For Dummies برای هر کسی که موسیقی را دوست دارد، عالی است. این همچنین یک راهنمای بامزه و معتبر برای گسترش افق های موسیقی شما و یادگیری این است که چگونه بزرگترین آهنگسازان جهان برای هر قطعه موسیقی که از آن زمان نوشته شده است، پایه گذاری کردند.


توضیحاتی درمورد کتاب به خارجی

Classical music was never meant to be an art for snobs! In the 1700s and 1800s, classical music was popular music. People went to concerts with their friends, they brought snacks and drinks, and cheered right in the middle of the concert. Well, guess what? Three hundred years later, that music is just as catchy, thrilling, and emotional. From Bach to Mozart and Chopin, history\'s greatest composers have stood the test of time and continue to delight listeners from all walks of life. And in Classical Music For Dummies, you\'ll dive deeply into some of the greatest pieces of music ever written. You\'ll also get: A second-by-second listening guide to some of history\'s greatest pieces, annotated with time codes A classical music timeline, a field guide to the orchestra, and listening suggestions for your next foray into the classical genre Expanded references so you can continue your studies with recommended resources Bonus online material, like videos and audio tracks, to help you better understand concepts from the book Classical Music For Dummies is perfect for anyone who loves music. It\'s also a funny, authoritative guide to expanding your musical horizons—and to learning how the world\'s greatest composers laid the groundwork for every piece of music written since.



فهرست مطالب

Title Page
Copyright Page
Table of Contents
Introduction
	About This Book
	Foolish Assumptions
	Icons Used in This Book
	Beyond the Book
	Where to Go from Here
Part 1 Getting Started with Classical Music
	Chapter 1 Prying Open the Classical Music Oyster
		Discovering What Classical Music Really Is
		Figuring Out What You Like
		The Seven Habits of Highly Effective Composers
			Their music is from the heart
			They use a structure that you can feel
			They’re creative and original
			They express a relevant human emotion
			They keep your attention with variety and pacing
			Their music is easy to remember
			They move you with their creations
	Chapter 2 The Entire History of Music in 80 Pages
		Understanding How Classical Music Got Started
		Chanting All Day: The Middle Ages
			Gregorian chant
			A monk named Guido
			Mass dismissed!
		The First Composer-Saint
		Born Again: The Renaissance
			The madrigal takes off
			Opera hits prime time
		Getting Emotional: The Baroque Era
			Renegade notes on wheels
			Kings, churches, and other high rollers
			Antonio Vivaldi
			George Frideric Handel
			Johann Sebastian Bach
		Tightening the Corset: The Classical Style
			Joseph Haydn
			Wolfgang Amadeus Mozart
			Joseph Boulogne, Chevalier de Saint-Georges
			Ludwig van Beethoven: The man who changed everything
			Schubert and his Lieder
			Felix Mendelssohn
			Fanny Mendelssohn
		Falling in Love: Hopeless Romantics
			Carl Maria von Weber
			Hector Berlioz
			Frédéric Chopin
			Robert Schumann
			Johannes Brahms
			The superstars: Paganini and Liszt
			Liszt follows Paganini’s lead
			Richard Wagner
			Strauss and Mahler
		Saluting the Flag(s): Nationalism in Classical Music
			Bedřich Smetana
			Antonín Dvořák
			Edvard Grieg
			Jean Sibelius
			Carl Nielsen
			Glinka and the Mighty Fistful
			Peter Tchaikovsky
			Sergei Rachmaninoff
		Listening to Music of the 20th Century and Beyond
			Debussy and Ravel
			Igor Stravinsky
			Sergei Prokofiev
			Dmitri Shostakovich
			The Second Viennese School
			The Americans
	Chapter 3 Spotting a Sonata
		Symphonies
			First movement: brisk and lively
			Second movement: slow and lyrical
			Third movement: dancy
			Finale: rollicking
		Sonatas and Sonatinas
		Concertos
			Concerto structure
			The cadenza
		Dances and Suites
		Serenades and Divertimentos
		Themes and Variations
		Fantasias and Rhapsodies
		Tone Poems (Or Symphonic Poems)
		Lieder (and Follower)
			Leader of the Lieder
			Song forms
		Oratorios and Other Choral Works
		Operas, Operettas, and Arias
		Overtures and Preludes
		Ballets and Ballerinas
		String Quartets and Other Motley Assortments
		Why Do You Need a Form, Anyway?
Part 2 Listen Up!
	Chapter 4 Dave ’n’ Scott’s E-Z Concert Survival Guide™
		Preparing — or Not
		Knowing When to Arrive at the Concert
		Can I Wear a Loincloth to The Rite of Spring?
		The Gourmet Guide to Pre-Concert Dining
		Figuring Out Where to Sit — and How to Get the Best Ticket Deals
		To Clap or Not to Clap: That’s the Question
			Why nobody claps
			More on the insane “no-clap” policy
		Who to Bring and Who to Leave at Home with the Dog
		Recognizing Which Concerts to Attend — or Avoid — on a Date
		Peeking at the Concert Program
			The typical concert format
			The music itself
			A different kind of program
		Introducing the Concertmaster
			Finding the pitch
			Twisting and turning, pulling and pushing
		Enter the Conductor
			Understanding interpretation
			Slicing up time
			Reading the job description
	Chapter 5 For Your Listening Pleasure
		1 Handel: Water Music Suite No. 2: Alla Hornpipe
		2 Bach: Well-Tempered Clavier, Book 2: Prelude and Fugue in C Major
		3 Mozart: Piano Concerto No. 22 in E-Flat, Third Movement
		4 Beethoven: Symphony No. 5, First Movement
			Exposition
			Development
			Recapitulation
			Coda
		5 Brahms: Symphony No. 4, Third Movement
		6 Dvořák: Serenade for Strings, Fourth Movement
		7 Tchaikovsky: Symphony No. 6, Fourth Movement
		8 Debussy: La Mer: Dialogue du Vent et de la Mer
		9 Stravinsky: The Rite of Spring: Opening to the End of Jeu de Rapt
			Introduction
			Danses des adolescentes (Dances of the Adolescent Girls)
			Jeu de rapt (Ritual of Abduction)
	Intermission: Backstage Tour
Part 3 A Field Guide to the Orchestra
	Chapter 6 Keyboards & Co.
		The Piano
			Looking inside the piano
			Naming the notes
			Finding an octave
			Playing the black keys
			Looking inside the piano
			Pressing down the pedals
			Hearing the piano
		The Harpsichord
			Winning the Baroque gold medal
			Hearing the harpsichord
		The Organ
			Pulling out the stops
			Hearing the organ
		The Synthesizer
	Chapter 7 Strings Attached
		The Violin
			Drawing the bow
			Tuning up
			Playing the violin
			Vibrating the string
			The unbearable lightness of bowing
			Plucking the strings
			Hearing the violin
		The Other String Instruments
			The viola
			The cello
			The double bass
			The harp
			The guitar
	Chapter 8 Gone with the Woodwinds
		The Flute
			Making music out of thin air
			Hearing the flute
		The Piccolo
		The Oboe
			Playing the oboe
			Hearing the oboe
		The English Horn
		The Clarinet
			Transposing instruments
			Hearing the clarinet
		The Saxophone
		The Bassoon
	Chapter 9 The Top (and Bottom) Brass
		Making a Sound on a Brass Instrument
		The French Horn
			Hunting for notes: The natural horn
			Adding valves: The modern, treacherous horn
			Hearing the French horn
		The Trumpet
			Tonguing
			Using mutes
			Hearing the trumpet
		The Trombone
			Sliding around
			Hearing the trombone
		The Tuba
			A gaggle of tubas
			Hearing the tuba
		Pet Peeves of the Brassily Inclined
	Chapter 10 Percussion’s Greatest Hits
		The Timpani
			Drum roll, please!
			Hearing the timpani
		The Bass Drum
		The Cymbals
		The Snare Drum
		The Xylophone
		Other Xylo-like Instruments
		More Neat Instruments Worth Banging
			The triangle
			The tambourine
			The tam-tam and gong
			The castanets
			The whip
			The cowbell
			The ratchet
Part 4 Peeking into the Composer’s Brain
	Chapter 11 The Dreaded Music Theory Chapter
		I’ve Got Rhythm: The Engine of Music
			Dividing up time
			Feeling the beat
			Sight-reading for the first time
			Making notes longer
			Making notes shorter
			Adding a dot
			Taking the final exam
		Understanding Pitch: Beethoven at 5,000 rpm
			Performing an experiment for the betterment of mankind
			12 pitches!
			Notating pitches
			Dave ’n’ Scott’s 99.9999% Key-Determining Method
			Why we have keys
		Making the Leap into Intervals
			The major second
			The major third
			The fourth
			The fifth
			The major sixth
			The major seventh
			The octave
			Telling the difference: major and minor intervals
			The minor second
			The minor third
			The minor fifth (not!) — aka the tritone
			The minor sixth
			The minor seventh
		Getting on the Scale
		Constructing a Melody
		Getting Two-Dimensional: Piece and Harmony
			Major, minor, and insignificant chords
			Friends and relations: harmonic progressions
			Friends, Romans, chord progressions
			Listening to the oldies
		Put in Blender, Mix Well
		Getting Your Music Theory Degree
	Chapter 12 Once More, with Feeling: Tempo, Dynamics, and Orchestration
		Meet the Dynamics Duo: Soft and Loud
			Honey, I shrunk the LoudSoft™
			Wearing Italian hairpins
			Getting into matters of sonic taste
		Throwing Tempo Tantrums
		Telling ’Bones from Heckelphones: Orchestration Made Easy
			Playing with sound colors
			Notating orchestrations
			Who’s the orchestrator?
Part 5 The Part of Tens
	Chapter 13 The Ten Most Common Misconceptions about Classical Music
		Classical Music Is Boring
		Classical Music Is for Snobs
		All Modern Concert Music Is Hard to Listen to
		They Don’t Write Classical Music Anymore
		You Have to Dress Up to Go to the Symphony
		If You Haven’t Heard of the Guest Artist, She Can’t Be Any Good
		Professional Musicians Have It Easy
		The Best Seats Are Down Front
		Clapping between Movements Is Illegal, Immoral, and Fattening
		Classical Music Can’t Change Your Life
	Chapter 14 The Ten Best Musical Terms for Cocktail Parties
		Atonal
		Cadenza
		Concerto
		Counterpoint
		Crescendo
		Exposition
		Intonation
		Orchestration
		Repertoire
		Rubato
		Tempo
		Using Your New-Found Mastery
	Chapter 15 Ten Great Classical Music Jokes
		Master of Them All
		The Heavenly Philharmonic
		Brass Dates
		The Late Maestro
		Basses Take a Breather
		Houseless Violist
		Ludwig’s Grave
		The Weeping Violist
		Musicians’ Revenge
		One Last Viola Joke
	Chapter 16 Ten Ways to Get More Music in Your Life
		Get Involved with Your Orchestra
		Join a Classical Music Tour
		Meet the Artists — Be a Groupie
		Make Music Friends on the Internet
		Join an Unlimited Music Service
		Listen to Your Local Classical Station
		Load Up on Your Own Recordings
		Watch Classical Music Movies
		Study Up on the Classics
		Make Your Own Music
Part 6 The Appendixes
	Appendix A Listen to This! Starting a Classical Music Collection
		List 1: Old Favorites
		List 2: MILD on the Taste Meter
		List 3: MEDIUM on the Taste Meter
		List 4: MEDIUM HOT on the Taste Meter
		List 5: HOT on the Taste Meter
	Appendix B Classical Music Timeline
	Appendix C Glossary
Index
EULA




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