Cinema and the Swastika: The International Expansion of Third Reich Cinema

Front Matter....Pages i-xxiv
Europe’s New Hollywood? The German Film Industry Under Nazi Rule, 1933–45....Pages 1-24
‘European Cinema for Europe!’ The International Film Chamber, 1935–42....Pages 25-41
German Attempts to Penetrate the Spanish-speaking Film Markets, 1936–42....Pages 42-57
Between Resistance and Collaboration: Austrian Cinema and Nazism Before and During the Annexation, 1933–45....Pages 58-71
German Influence on Belgian Cinema, 1933–45: From Low-profile Presence to Downright Colonisation....Pages 72-84
Nazi Film Politics in Brazil, 1933–42....Pages 85-98
The Influence of German Cinema on Newly Established Croatian Cinematography, 1941–45....Pages 99-111
A Dangerous Neighbourhood: German Cinema in the Czechoslovak Region, 1933–45....Pages 112-129
The Attempted Nazification of French Cinema, 1934–44....Pages 130-147
Cinema Goes to War: The German Film Policy in Greece During the Occupation, 1941–44....Pages 148-158
Competitor or Compatriot? Hungarian Film in the Shadow of the Swastika, 1933–44....Pages 159-171
A War within the War: Italy, Film, Propaganda and the Quest for Cultural Hegemony in Europe (1933–43)....Pages 172-186
Celluloid Competition: German-Japanese Film Relations, 1929–45....Pages 187-197
From Dawn to Young Eagles: The (Failed) Attempt of Germanisation and Nazification of Luxembourg through Cinema, 1933–44....Pages 198-206
Dutch-German Film Relations under German Pressure and Nazi Occupation, 1933–45....Pages 207-219
From Will to Reality — Norwegian Film during the Nazi Occupation, 1940–45....Pages 220-230
Brown-red Shadows: The Influence of Third Reich and Soviet Cinema on Afrikaans Film, 1927–48....Pages 231-242
Film and Politics in South-east Europe: Germany as ‘Leading Cultural Nation’, 1933–45....Pages 243-252
German Films on the Spanish Market Before, During and After the Civil War, 1933–45....Pages 253-264
Swedish Film and Germany, 1933–45....Pages 265-275
Film Propaganda and the Balance between Neutrality and Alignment: Nazi Films in Switzerland, 1933–45....Pages 276-288
‘A Thin Stream Issuing through Closed Lock Gates’: German Cinema and the United Kingdom, 1933–45....Pages 289-305
German Films in America, 1933–45: Public Diplomacy and an Uncoordinated Information Campaign....Pages 306-317
German Film Politics in the Occupied Eastern Territories, 1941–45....Pages 318-333
Back Matter....Pages 334-360