Changing Art into Research: Soliloquy Methodology

Cover
Half Title
Title Page
Copyright Page
Table of Contents
List of illustrations
Acknowledgements
Preface
1. A concise overview of Soliloquy
	What is Soliloquy?
	The philosophical phenomenology informing Soliloquy
	Soliloquy – a collaborative exchange between conscious and
unconscious knowledge
	Philosophical alignment of the methodological framework
	An example of Soliloquy in practice
	Finally
2. The co-existing realities of the ephemeral and the eternal: Aristotle and Plato
	Art and transcendence
	Intuition and the unconscious
	Gebser’s evolution of consciousness
	Archaic consciousness
	Magical Consciousness
	Mythical Consciousness
	Mental Consciousness and Integral Consciousness
	The limitations of Mental Consciousness
	Sheldrake’s ‘science delusion’
3. Intuition
	Stansted Hall – Journal 2009
	What is mediumship?
	Same God – different names
4. The theoretical perspective of Soliloquy: Transcendental Phenomenology
	Platonism and universal form
	Knowledge and belief
	The a priori object
	The pregivenness of objects
	The story of art
	Transcendental Phenomenology in life and research
	Is all Phenomenology Transcendental?
	The alter ego, apodictic truth and eidetic reduction
	Why is Phenomenology so misunderstood?
	The historical context of Phenomenology
	What did Heidegger do?
	Darren works it out
	Bracketing
	Existential phenomenology
	In summary
5. Soliloquy for the intuitive researcher: The methods
	Alignment in methodology
	The methods for doing Soliloquy
	Experience
	Epoche
	The Epoche and altered states of consciousness
	Epiphany
	Explication
	Explanation
	An example of Soliloquy in practice: Echo and Narcissus
	The epiphany of the Wizard of Oz
	A pictorial view of Soliloquy
	A final metaphor for Transcendental Phenomenology: ‘The Lady of
Shalott’
	Answering some critical concerns
	Enhance your research: enhance your life
Glossary
Index