Catching Time: Temporality, Interaction, and Cognition (Literary Criticism and Cultural Theory)

Cover
Half Title
Series Information
Title Page
Copyright Page
Dedication
Table of Contents
Acknowledgements
1 Introduction to Catching Time
	Notes
	Works Cited
2 Lived and Literary Narratives: From Embodiment to Emplotment
	Enactivism and Cognitive Literary Studies
	Subjective Time: An Overview
		The ‘Awareness’ Theory of Time
	Interaction Theory and Time
		Studies of Interactive Time
	Time in Real and Fictional Worlds
	An Index of Interactive Narrative Time
	Notes
	Works Cited
3 ‘Body Time’: Don DeLillo’s The Body Artist
	‘A Tick and a Tock’: Motor Empathy in The Body Artist
	Lauren’s Shifting Sense of Time
	Time and Identity: ‘…the Flow of Time in Her Body, to Tell Her Who She Was.’
	Concluding Note
	Notes
	Works Cited
4 The Flow of Time: Lía Chara’s Agua
	Dislocation and Discontinuity
	The Temporalities of Desire
	Concluding Note
	Notes
	Works Cited
5 ‘Home Wasn’t Built in a Day’: The Temporality of Place in Lisa Gorton’s The Life of Houses
	Lisa Gorton’s The Life of Houses
		Place and Time: The Sea House
			The Sea House: Bodily Interaction
			The Sea House: Emotional Contagion
			The Sea House: Stereotype Activation
			Time Will Tell: Kit’s Character Development
	Concluding Note
	Notes
	Works Cited
6 Bodies and Technologies: Martín Felipe Castagnet’s Los Cuerpos Del Verano
	Los Cuerpos Del Verano—Critical and Cultural Context
		Technology in Latin American Literature
		‘The Internet Counts as a Body’: Embodied Identification With Technology
	Embodied Simulation: Pulses and Pace
	Concluding Note
	Notes
	Works Cited
7 Postface
	Notes
	Works Cited
Index