Catalan Cinema: The Barcelona Film School and the New Avant-Garde (Toronto Iberic)

Cover
Half-Title Page
Title Page
Copyright Page
Contents
Illustrations
Acknowledgments
Introduction
Part One: The Mavericks and the Barcelona School
	1 Future Seeds: Some Considerations on the Cinema around Barcelona 92
Part Two: The Jordà Legacy
	2 The Hunter and the Monkeys: Jacinto Esteva, Joaquim Jordà, and the Legacy of the Barcelona School
	3 Jordà’s Last Trilogy: Situationist Turn and Subject Transformation
	4 The Militant Cinema of Joaquim Jordà: The Essay Film as Form
Part Three: The Portabella Nexus
	5 Economies of Sound: Labouring Europe in Pere Portabella and Carles Santos
	6 Pere Portabella’s Radical Theatricality: A Political Gaze over Two Transitions
	7 Traversing the Real with the Reel: Infrapolitical Spectrality in Pere Portabella’s Vampir.Cuadecuc and Albert Serra’s Història de la meva mort
Part Four: The New (Post) Avant-Garde
	8 Beyond Melancholy: The Post-Avant-Garde Cinema of José Luis Guerín
	9 On the Threshold of the Diegetic World: Optical and Haptic Visuality in Elisa K
	10 Watching Novels and Reading Films: Deleuzian Affects in Catalan Cinema
Part Five: Minimalism and Beyond
	11 Formal Disruption, Minutiae, and Absence in the Films of Jaime Rosales
	12 Identity Kit: Where to Meet Isaki Lacuesta
Contributors
Index
Series List