Burning Down the House: Latin American Comics in the 21st Century.

Cover
Half Title
Series
Title
Copyright
Table of Contents
List of figures
List of contributors
Series editor’s preface
Burning Down the House – Introduction
PART I Politics, protest and memory
	1 Intertextuality and iconic images in Lucas Nine’s “Borges, inspector de aves\"
	2 The comic as a form of memory of two student movements in contemporary Mexico: the case of Grito de Victoria by Augusto Mora
	3 The memory of Trauma under the dictatorship as portrayed in contemporary Chilean comics. A comparative perspective with Spain
	4 Historical graphic novels in Uruguay 2000–2020
	5 Between comics and memories, other stories of Brazil
	6 Black visualities in Brazilian comics: a historical overview
	7 And you will come marching with me: the Chilean comics after the social mobilization
PART II Genre and sexual dissidence
	8 Approaches to remember the bodies in two Latin American comics: “Notas al Pie” by Nacha Vollenweider and “Las Sinventuras de Jaime Pardo” by Vicho Plaza
	9 Resisting imposed lines: (Feminine) territoriality in the work of Chilean comics artist Panchulei
	10 Bolivian comics and the subalternity
	11 Emancipated behavior: the body and art in the work of Águeda Noriega and Ale Torres
	12 Comics as a means to illustrate sexual dissidence: Guadalupe and Poder Trans
	13 Pervertion through funny comics: the case of Diego Parés’ Sr. and Sra. Rispo
Index