British Film Music: Musical Traditions in British Cinema, 1930s–1950s

Acknowledgements
Contents
List of Figures
Chapter 1: Introduction
	References
Chapter 2: Aesthetic Conventions: Distinctiveness and Diversity
	The British Score and the Hollywood Score
	Composers in the British Film Industry
	The Aesthetics of British Film Music
	References
Chapter 3: Pastoral Music: Representations of Landscape
	Music and Landscape Emphasis
	Landscape Representations Through Music in the 1940s
	Landscapes That Resist the Rural Myth
	References
Chapter 4: Folk Song: National and Regional Music
	Folk Song, Landscape, and Documentary
	Folk Song and Documentary Satire
	References
Chapter 5: Choral Music: Christian and Pantheistic Mysticism
	Choral Voices, the Church, and Mystical Elements
	Choral Voices and Natural Forces
	References
Chapter 6: The March: Military and Ceremonial Music
	Isolated Uses of the March
	The March as Theme Tune
	The Slow March and Funeral March
	References
Chapter 7: Conclusion
	References
Filmography
Index