Beyond the Victorian/ Modernist Divide: Remapping the Turn-of-the-Century Break in Literature, Culture and the Visual Arts

Cover
Half Title
Title Page
Copyright Page
Contents
List of Figures
Acknowledgments
Notes on the Contributors
Introduction
PART I: Questioning Labels and Periodization: Toward New Literary Genealogies
	1 Crossing the Victorian/Modernist Divide: From Multiple Histories to Flexible Futures
	2 Victorian Gothic and Gothic Modernism: Remapping Literary History across the Centuries
	3 Between the “English nuvvle” and the “Novel of Aloofness”: Charles Dickens’s Proto-(High) Modernism
	4 Impressions of Modernity: May Sinclair, Ford Madox Ford and the First World War
	5 Currents of Art and Streams of Consciousness: Charting the Edwardian Novel
	6 “Reading the Two Things at the Same Time”: Victorian Modernism in To the Lighthouse
PART II: Art History and the Visual Arts across the Victorian/Modernist Divide
	7 The Greek Body and the Formalist Quest across the Divide: From Aestheticism to Bloomsbury Painting
	8 The Velazquez Aesthetic: John Singer Sargent, Impressionism, and Victorian Modernism
	9 Pioneers of Modern Design: From the Cole Circle to Walter Gropius
PART III: Interdisciplinary Approaches
	10 Dorothy Bussy, the Strachey Family, and Sapphic Literature
	11 An Entomology of Literature: Male Taxonomies and Female Antennae from Mrs Gaskell to Virginia Woolf
	12 Victorian Song across the Modernist Divide: From Edmund Gosse to T.S. Eliot
	13 Rhythm and the Measures of the Modern
Index