Beyond the Frame: Feminism and Visual Culture, Britain 1850-1900

Cover
Title
Copyright Page
Dedication
Contents
List of figures
Acknowledgements
Abbreviations
Introduction
1 Artists and militants, 1850-66
	Artists and militants
	Geographies of art and feminism
	Modern women, modern life
	Writing women, art and feminism
2 In/between the colonial theatre: visuality, visibility and modernity
	Shuttling, \'soul making\' and the art of travel
	Modernity, visuality and visibility
3 The \'worlding\' of Algeria: feminism, imperialism and visual culture
	Worlding
	\'a texting, textualising\': feminist subjects in the landscape
	\'a making into art, a making into an object to be understood\'
4 Harriet Hosmer\'s Zenobia: a question of authority
	Authorship and authority
	The making of a name and a statue
	Warrior queen, savant and woman of colour
5 Tactics and allegories, 1866-1900
	Feminist politics and professional strategies
	Women, power, knowledge: the image if the learned woman in the 1860s
	Feminism and the tactics if representation
	Towards an allegorical reading
Appendix: selected publications on Algeria, 1857-68
Notes
Suggestions for further reading
Index