Beyond the Bridge: Contemporary Danish Television Drama

Cover\nHalf-title\nSeries information\nTitle page\nCopyright information\nTable of contents\nList of Illustrations\nAcknowledgments\nIntroduction\n1 The Danish Audio-visual Media Landscape: From Dogma 95 to Transnational...\n	Public Service Television in Denmark\n	Danish Television Dramas Now and Then\n	Internationalising Danish Television Drama\n	Production Culture across Film and Television\n	Experimenting with Complex Narrative Structures\n	A Northern Television Aesthetic between Nordic Noir and Candid Documentary Style\n	Production Culture across Borders\n	Television Production Facilities and Working Practices\n2 Danish Production Culture and Creativity Management through ‘Scaffolding’\n	Harnessing Creativity through Different Levels of ‘Scaffolding’\n	Macro-level Scaffolding: The Public Service Contract and Danish Media Policy\n	Institutional Scaffolding: DR’s Dogmas for Television and the National...\n	DR’s Dogmas for Television\n	Filmmakers under Televisual Conditions\n	Individual Scaffolding: Production Teams and the One Vision Concept\n3 Does Crime Pay? Forbrydelsen (The Killing) and the Thriving of Nordic Noir\n	From ‘Who Killed Nanna Birk Larsen?’ to the International Banking...\n	Creating a Drama in a Scaffolded Environment through Involvement and Secrecy\n	Becoming the Monster: The Ambiguity of Character and Place\n	Killings in Copenhagen: Hard Rain, Empty Streets and Dark Basements\n4 Crime across Borders: Broen (The Bridge)\n	Complex Narratives and a Production Process across the Bridge\n	The Bridge as Location and Symbol\n	Relating to a Transnational Drama? The Bridge and its Viewers at Home\n	A Modern Single? The Saga Story\n	A Friendly Family Man? The Martin Story\n5 Politics, Family Life and the Media: Borgen\n	Borgen and the Question of Political Stakeholders\n	Narrative Complexity and Character Development\n	Furnishing the Drama: Sequence Shots and Natural Stories\n	Cross-over and Scaffolded Production Contexts\n	Acknowledgement from Viewers and the Press\n6 Family Noir: Arvingerne (The Legacy)\n	The Story of a Colourful Modern Family\n	Matriarchy, the Fall of Father Figures and Fragmented Family Relations\n	Returning to the ‘usual’ DR Conditions of Production?\n7 The Danish Take on National Security and the War on Terror: Ørnen...\n	How Do You Survive as a Modern Human Being?\n	Hallgrim’s Odyssey\n	Where is My Home?\n	The Cosmopolitan Crossover Production\n	The Character-driven Story\nConclusions: From Dogmas to Nordic Noir and Beyond\n	Re-evaluation and Redevelopment at DR: New Projects and New Risks\n	Beyond Dogma 95: Advantageous Production Culture on Several Levels\n	An Influential Production Culture\n	Innovation as Traditional ‘Must- See’ Television: A Possible Role Model?\n	Modernity and International Appeal\n	From Hollywood to Copenhagen and Back\nNotes\nSelect Bibliography\nIndex