Between Film, Video, and the Digital: Hybrid Moving Images in the Post-Media Age

Title Page
Copyright Page
Contents
Editor’s Foreword
Acknowledgments
List of Illustrations
Introduction: Hybrid moving images and the post-media conditions
	Hybrid moving images and medium specificity
	Post-media conditions
	Film’s post-media conditions
	Video’s post-media conditions
	Intermedial approaches to hybrid moving images
Chapter 1 Videographic moving pictures: Remediating the “film stilled” and the “still film”
	Introduction: “moving pictures” in the post-photographic era
	Digital video’s manipulation of surface and time in Taylor-Johnson, Lewis, and Viola
	Remediating the “still film” and the “film stilled” in Tan, Hannah, and Claerbout
	Conclusion
Chapter 2 Digital glitch video and mixed-media abstraction: Materialism and hybrid abstraction in the digital age
	Introduction: Digital abstract moving images and hybridity
	Digital glitch videos: Digital materialism and aesthetic-technical hybridity
	Mixed-media abstraction
	Conclusion
Chapter 3 Transitional found footage practices: Video in and out of the cinematic fragments
	Introduction: Defining transitional found footage practices
	The technical transition of found footage practices: Montage and special effects
	Deconstructive compilation: Montage and special effects in Girardet-Müller
	Transitional found footage practices as dialectical and archival
	R. Bruce Elder: The ruin of images between chemical and digital transformations
	Film frames’ infinite lives in the digital realm: Ken Jacobs’s recent digital videos
	Conclusion
Chapter 4 Intermedial essay films: “Memories-in-between”
	Introduction: Essay films between the filmic and the post-filmic
	Video, memories-in-between, and intermedial essay films
	Hito Steyerl: Politics of the “poor image”
	Intermedial Palimpsests in Lynne Sachs’s experimental documentary films
	Intermedial processing of home movies: Trains of Winnipeg: 14 Film Poems and Tarnation
	Conclusion
Chapter 5 Cinematic video installations: Hybridized apparatuses inside the black box
	Introduction
	Between “remaking cinema” and “degenerated video art”:
	Strategies of spatialization: Farocki, Ataman, Aitken, Ahtila
	Strategies of temporalization: Gordon, Breitz, Douglas
	Conclusion
Afterword
Notes
	Introduction
	Chapter 1
	Chapter 2
	Chapter 3
	Chapter 4
	Chapter 5
	Afterword
Index