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از ساعت 7 صبح تا 10 شب
ویرایش: 13
نویسندگان: Greg Steinke. Paul Harder
سری:
ISBN (شابک) : 9780134419664, 9780134419787
ناشر: Pearson
سال نشر: 2021
تعداد صفحات: 402
زبان: English
فرمت فایل : PDF (درصورت درخواست کاربر به PDF، EPUB یا AZW3 تبدیل می شود)
حجم فایل: 2 مگابایت
در صورت تبدیل فایل کتاب Basic Materials in Music Theory: A Programed Approach (What's New in Music) به فرمت های PDF، EPUB، AZW3، MOBI و یا DJVU می توانید به پشتیبان اطلاع دهید تا فایل مورد نظر را تبدیل نمایند.
توجه داشته باشید کتاب مواد اولیه در تئوری موسیقی: یک رویکرد برنامهریزی شده (در موسیقی چه جدید است) نسخه زبان اصلی می باشد و کتاب ترجمه شده به فارسی نمی باشد. وبسایت اینترنشنال لایبرری ارائه دهنده کتاب های زبان اصلی می باشد و هیچ گونه کتاب ترجمه شده یا نوشته شده به فارسی را ارائه نمی دهد.
Front Cover Title Page Copyright Page Contents Preface to the Thirteenth Edition Preface to the Sixth Edition by the Original Author How to Use This Text About the Authors 1.0 The Basic Materials of Music: Time and Sound Time and sound Sound waves Pitch Intensity Timbre Harmonics The harmonic series Summary Mastery Frames Supplementary Activities Supplementary Assignments Ear-Training Activities 2.0 The Notation of Pitch The staff Notes: Symbols for tones The basic scale The treble clef The bass clef The C-clefs Ledger lines The grand staff The ottava sign Half steps and whole steps Accidentals Enharmonic notes The chromatic scale Pitch designations Summary Mastery Frames Supplementary Activities Supplementary Assignments Ear-Training Activities 3.0 Time Classification The beat Meter Simple and compound time Borrowed divisions Subdivisions of the beat Summary Mastery Frames Supplementary Activities Supplementary Assignments Ear-Training Activities 4.0 Note and Rest Values Relative value of notes and rests The dot Division of dotted and undotted notes and rests Subdivision of dotted and undotted notes and rests The unit in simple and compound time Metronome indications Terms that express tempo Summary Mastery Frames Supplementary Activities Supplementary Assignments Ear-Training Activities for Chapters 4.0 and 5.0 5.0 Time Signatures Time signatures in simple and compound time Relation of time signatures to time classification Common time Alla breve The tie Rhythmic patterns Syncopation Summary Mastery Frames Supplementary Activities Supplementary Assignments 6.0 Intervals Harmonic and melodic intervals Numerical classification of intervals Compound intervals Classification of intervals by quality Inversion of intervals Enharmonic intervals Summary Mastery Frames Supplementary Activities Supplementary Assignments Ear-Training Activities Additional Supplementary Activities 7.0 The Basic Scales Structure of the basic scales Modes The keynote Summary Mastery Frames Supplementary Activities Supplementary Assignments Ear-Training Activities 8.0 The Major Scale Structure of the major scale Use of accidentals to form major scales on any note Summary Mastery Frames Supplementary Activities Supplementary Assignments Ear-Training Activities 9.0 The Minor Scales The natural minor scale The harmonic minor scale The melodic minor scale Diatonic and chromatic intervals Summary Mastery Frames Supplementary Activities Supplementary Assignments Ear-Training Activities 10.0 Key Signatures Key and tonality Major key signatures Relative keys Minor key signatures Use of accidentals to form the various minor scales The circle of fifths Enharmonic keys Parallel keys Summary Mastery Frames Supplementary Activities Supplementary Assignments Ear-Training Activities Melodic Dictation 11.0 Triads The tertian system Basic triads Major triads Minor triads Diminished triads Augmented triads Triads generated by major and minor scales Summary Mastery Frames Supplementary Activities Supplementary Assignments Ear-Training Activities Appendix A Music Theory Summary Appendix B Piano Styles Appendix C Orchestration Chart; Note/Octave, MIDI Charts Glossary of Musical Terms Bibliography for Further Study Index Back Cover