Authenticity, Medievalism, Music

Contents
List of Illustrations
Preface • Karl Fugelso
I: Medievalism and Authenticity
	Introduction: Medievalism as Colony and Conqueror: Reflections after MAMO • David Matthews
	Genealogies of the Early Gothic: Forging Authenticity • Nickolas Haydock
	The Rituals of St. Agnes and the Lure of Authenticity • Clare A. Simmons
	Mediating Medieval(ized) Emotion in Game of Thrones • Carolyne Larrington
	A Princess of Color amid Whitewashed Medievalisms in Disney’s Sofia the First and Elena of Avalor • Elan Justice Pavlinich
	The Medievalizing Process: Religious Medievalism and Constructs of Historical Authenticity • Timothy Curran
II: Other Responses to Medievalism (and Authenticity)
	The Breaking Point: Alain de Benoist’s Critique of Medieval Nominalism • Daniel Wollenberg
	“This Most Historic of Locations”: Performing Authentic Nationhood at Hastings and Morgarten • Matthias D. Berger
	Kingdoms of Infinite Space: Three Responses to the Kingis Quair • Lotte Reinbold
	Vincent van Gogh, Dante, and the Studio of the South • Aida Audeh
	Surrealist Medievalism: A Case Study • Tessel M. Bauduin
III: Early Music (and Authenticity) in Films and Video Games
	Introduction Alexander Kolassa
	Beyond (the) Halo: Chant in Video Games • Karen M. Cook
	A Plague of Medievalism upon You All: Medievalism, Music, and the Plague • Adam Whittaker
	The Past is a Different Planet: Sounding Medievalism in Aleksei German’s Hard to Be a God • Alexander Kolassa
Contributors