Aural/Oral Dramaturgies: Theatre in the Digital Age

Cover
Half Title
Title Page
Copyright Page
CONTENTS
Preface
Acknowledgements
1. Introduction(s): The Difficult Second Album
	Side A: Literature Review
		Track 01: Overture: Premises
		Track 02: Context: The Aural/Oral Dramaturgies (A/OD) Project
		Track 03: Changing Trends
		Track 04: Research Methodology: A Long View of Institutional Knowledge Production
		Track 05: Intersections: Dramaturgy, Speech, and SoundI
	Side B: Methodology
		Track 06: Methodology: A Genealogical Retro-Articulation
		Track 07: Embracing Contradictions
		Track 08: Relational Ethnography
		Track 09: Towards a Dramaturgical Research Methodology: A Close View
		Track 10: How to Read This Book
		Hidden Track: COVID-19 Coda
2. Post-Verbatim
	Genealogies of Verbatim Theatre: A Brief Recap and an Ethnographic Addendum Although
	Reconfiguring Critique through Performative Ethnography
	Counterpoint: A Performative Intervention
	Towards Post-Verbatim Theatre: Holding onto Contradictions
	Polyphonic Insights
3. Amplified Storytelling
	Exposition
	Emplotment: From Gusle to Gestalt
	Culmination: Form vs Content
	Peripeteia: Exploding the Narrative
	Resolution
4. Gig Theatre
	Gig Theatre: The Term
	Historicising Gig Theatre 1: Storytelling, Punk, and Genre
	Historicising Gig Theatre 2: Rock Against Racism
	Historicising Gig Theatre 3: DIY and Dramaturgy
	Gig Theatre and Dramaturgy
	Gig Theatre and (Rave) Culture
5. Conclusion(s): Aural/Oral Dramaturgies in the Digital Age
	The A/OD Case Studies: Notes on a Polyphonic Methodology
	Paradigmatic Questions
	‘Bottom Up’: Dramaturgy of Layering
	The Disruption of Closure: Dramaturgy of Methexis
	Enmeshment vs Immersion: Dramaturgy of Intersubjectivity
	Epilogue: Liminalities
Appendices
	Appendix 2.1: Anna Deavere Smith: Notes from the Field
	Appendix 2.2: SKaGeN: Pardon/In Cuffs
	Appendix 2.3: Dead Centre: Lippy
	Appendix 2.4: Milo Rau: Five Easy Pieces
	Appendix 2.5: Lola Arias: Minefield
	Appendix 3.1: Kieran Hurley: Heads Up
	Appendix 3.2: Kieran Hurley: Beats
	Appendix 3.3: Nassim Soleimanpour: Blind Hamlet
	Appendix 3.4: Rachel Mars: Our Carnal Hearts
	Appendix 3.5: Ontroerend Goed: World Without Us
	Appendix 3.6: Dead Centre: Chekhov’s First Play
	Appendix 4.1: RashDash: Another Someone
	Appendix 4.2: Lucy McCormick: Triple Threat
	Appendix 4.3: Lucy McCormick: Post-Popular
	Appendix 4.4: Beatbox Academy: Frankenstein
	Appendix 4.5: nabokov: Symphony
	Appendix 4.6: Wildcard Theatre: Electrolyte
	Appendix 4.7: RashDash: Two Man Show
	Appendix 4.8: Unfolding Theatre: Putting the Band Back Together
	Appendix 4.9: Taylor Mac: A 24-Decade History of Popular Music: The First Act
Lend Me Your Ears Collection
Index