Arts, Ecologies, Transitions: Constructing a Common Vocabulary

Cover
Half Title
Title Page
Copyright Page
Dedication Page
Table of Contents
List of Contributors
Preface: A Collective – Arts, Practices, and Politics
	Notes
Introduction
	Key Concepts on the Relationship between the Arts and the World
	From the Ecological Turn to the Ecosophic Turn
	A Manifesto
	Note
Chapter 1: Acoustic Ecology
	What is Acoustic Ecology?
	Schizophonia
	Acoustic and Musical Ecologies
	Field Recording
	Acoustic Ecology and Transition
	Three Key References
Chapter 2: Aesthetic Subjectivation (Process of)
	Note
	Three Key References
Chapter 3: Aisthesis
	Three Key References
Chapter 4: Alienation
	Three Key References
Chapter 5: Animal
	Three Key References
Chapter 6: Anthropocene and Aesthetics (The)
	Three Key References
Chapter 7: Architecture (The Aesthetics of Ecological Transition in)
	Note
	Three Key References
Chapter 8: Art and Milieu (Works of)
	Three Key References
Chapter 9: Art in Common
	Three Key References
Chapter 10: Biodiversity: An Aesthetic Emergency
	Notes
	Three Key References
Chapter 11: Cinema
	Notes
	Three Key References
Chapter 12: Co-creation: Collective, Participatory, and Immersive Art
	Notes
	Three Key References
Chapter 13: Collapsonauts
	From Transition to Collapse
	Musical and Literary Refrains
	Collapsonaut Arts
	Three Key References
Chapter 14: Contemporary Dance
	Notes
	Three Key References
Chapter 15: Decoloniality
	Notes
	Three Key References
Chapter 16: Degrowth
	Degrowth
	Degrowth in the Arts and Music
	Do It Yourself, Hacking, and Real Utopias
	Three Key References
Chapter 17: Digital Creation
	Rethinking Practices
	Cultivating Frugality
	Making a Material Impact
	Re-naturalising Time
	Notes
	Three Key References
Chapter 18: Documentary Arts
	In the Face of Extreme Violence
	The Witness
	The Critic
	The Fable
	Three Key References
Chapter 19: Ecocriticism and Ecocinema
	Notes
	Three Key References
Chapter 20: Ecofeminism
	Three Key References
Chapter 21: Ecofeminist Territories
	Note
	Three Key References
Chapter 22: Ecosomatics
	Somatic Practices
	Identifying Issues to Better Prepare for Them
	The Body as Nature: Materialities, Histories, Representations, Reopening Trajectories
	Art Worlds
	Three Key References
Chapter 23: The Garden
	The Garden Today
	Three Key References
Chapter 24: Geography and the Aesthetic Production of Ecological Issues
	Note
	Three Key References
Chapter 25: Graphic Design
	Note
	Three Key References
Chapter 26: I for Iconœmic
	Note
	Three Key References
Chapter 27: Landscapes, Territory, and Urbanism
	Notes
	Three Key References
Chapter 28: Learning and Experience
	Local and Contextual Knowledge, and Situation-based Learning
	Holistic Learning
	Situating Knowledge
	A Collective Dynamic
	Circulating and Sharing Knowledge
	Conclusion
	Three Key References
Chapter 29: Literature and the Commons
	Three Key References
Chapter 30: Literature(s)
	Notes
	Three Key References
Chapter 31: Memory and Choreographic Works
	Notes
	Three Key References
Chapter 32: Music
	Notes
	Three Key References
Chapter 33: Musical Performance and Wet Markets
	Three Key References
Chapter 34: Performance
	Artistic Action, and Environmental and Social Engagement
	Performance: Fusion and Dissolution of the Hierarchy of Living Beings
	Desire and Limitations of “Becoming Savage”: A Fantasy Territory outside of the Cultural Domains
	Three Key References
Chapter 35: Pest Plants
	Note
	Three Key References
Chapter 36: Photography
	Concept
	Sensitive Material
	Environment
	Politics
	Three Key References
Chapter 37: Place
	Three Key References
Chapter 38: Plastic Arts
	Notes
	Three Key References
Chapter 39: Recycling
	Three Key References
Chapter 40: Site Specificity
	Three Key References
Chapter 41: Socially Engaged Art
	Three Key References
Chapter 42: Sound and Sound Milieus
	What Is a Sound?
	Sound Milieu
	Notes
	Three Key References
Chapter 43: Sound Art
	Non-anthropocentric
	The Inaudible
	Three Key References
Chapter 44: Technology and an Economy of Means
	Three Key References
Chapter 45: Territory
	Three Key References
Chapter 46: Theatre
	Stage
	Action and Actors
	Narrative
	Three Key References
Chapter 47: Transitory Urbanism
	Artists’ Need for Places and Spaces
	Regulating Supply and Using Unoccupied Spaces
	Temporary Occupancy: Advantages and Disadvantages
	A Risk of Homogenising the Usages of Spaces
	Three Key References
Chapter 48: Visual
	Three Key References
Chapter 49: Walking Art
	Critical Potential
	Integration into Everyday Life
	An Opportunity for Learning
	Strategies
	Three Key References
Bibliography
	Web Links
Index