Art as Demonstration: A Revolutionary Recasting of Knowledge

Contents
1: Introduction: Art-as-Demonstration in the 1960s and Beyond
	Demonstration and the Didactic
2: Ostentatious Neutrality (Bernar Venet, Daniel Buren, Adrian Piper)
	Adrian Piper’s “Food for the Spirit”
3: Burlesque Lecture Demonstration (Robert Morris, Walter Benjamin)
	Walter Benjamin’s Retelling of Modernism
4: Film as Operation (Harun Farocki, Pawe Kwiek)
	Paweł Kwiek: A Film Operator’s Demonstration
5: Taking It to the Street: Eastern European Art Demonstrations (Milan Knížák, Jiří Kovanda, Endre Tót, Mladen Miljanović, Ciprian Homorodean)
	How to Survive Neoliberalism (Mladen Miljanovic, Ciprian Homorodean)
6: Learning from the Situation (Ulrike Meinhof, Clemens von Wedemeyer)
	Clemens von Wedemeyer, Bambule Replay: Rushes (2012)
7: Instructions for Seeing (Bazon Brock, Włodzimierz Borowski)
	Włodzimierz Borowski: The Audience as Failure
8: Teaching What Does Not Exist (Gnezdo, Ilya Kabakov)
	Demonstration in Ilya Kabakov’s Work of the 1960s
9: Demonstration in Soviet and Post-Soviet Space (Extra-Governmental Control Commission, Radek Community, Chto delat)
	Demonstrations as Trips Out of Town: Collective Actions
	Taking Demonstration Back to the Streets: Extra-Governmental Control Commission, Radek Community
	Reanimating the Dialectic: Chto delat’s Demonstration Politics
10: Postscript: The Migrant’s Hands: Between Demonstration and Archive in Sylvain George’s Qu’ils reposent en révolte (Des figures de guerre)
Acknowledgments
Notes
	1 Introduction: Art-as-Demonstration in the 1960s and Beyond
	2 Ostentatious Neutrality (Bernar Venet, Daniel Buren, Adrian Piper)
	3 Burlesque Lecture Demonstration (Robert Morris, Walter Benjamin)
	4 Film as Operation (Harun Farocki, Paweł Kwiek)
	5 Taking It to the Street: Eastern European Art Demonstrations (Milan Knížák, Jirí Kovanda, Endre Tót, Mladen Miljanovic, Ciprian Homorodean)
	6 Learning from the Situation (Ulrike Meinhof, Clemens von Wedemeyer)
	7 Instructions for Seeing (Bazon Brock, Włodzimierz Borowski)
	8 Teaching What Does Not Exist (Gnezdo, Ilya Kabakov)
	9 Demonstration in Soviet and Post-Soviet Space (Extra-Governmental Control Commission, Radek Community, Chto delat)
	10 Postscript: The Migrant’s Hands: Between Demonstration and Archive in Sylvain George’s Qu’ils reposent en révolte (Des figures de guerre)
Index