Archaeology and Photography: Time, Objectivity and Archive

Cover page\nHalftitle page\nTitle page\nCopyright page\nDedication\nCONTENTS\nILLUSTRATIONS\nCONTRIBUTORS\nPREFACE\n1 INTRODUCTION: FROM ARCHAEOGRAPHY TOPHOTOLOGY Lesley McFadyen and Dan Hicks\n	Notes\n	References\n2 THE TRANSFORMATION OF VISUAL ARCHAEOLOGY (PART ONE) Dan Hicks\n	I. Archaeography\n	II. Idiorrhythmy\n	III. Histories of looking\n	IV. Visualism\n	V. Photology\n	Notes\n	References\n3 ‘AT ANY GIVEN MOMENT’: DURATION IN ARCHAEOLOGY AND PHOTOGRAPHY Mark Knight and Lesley McFadyen\n	Duration\n	Concrete duration\n	Clock time\n	Movement\n	Illuminated points\n	Moving zone\n	Long exposures\n	Taking time\n	Conclusion\n	References\n4 EXPOSING ARCHAEOLOGY: TIME IN ARCHAEOLOGICAL PHOTOGRAPHS J.A. Baird\n	I. Introduction\n	II. Intended sequences\n	III. Unintended consequences\n	IV. Conclusions\n	References\n5 PARAFICTIONS: A POLAROID ARCHAEOLOGY Joana Alves-Ferreira\n	Acknowledgements\n	Notes\n	References\n6 ARCHAEOLOGY, PHOTOGRAPHY AND POETICS Sérgio Gomes\n	References\n7 DURATION AND REPRESENTATION IN ARCHAEOLOGY AND PHOTOGRAPHY Antonia Thomas\n	Introduction\n	Archaeology and photography\n	The Brodgar Stone: before and after\n	Philosophy and time\n	Archaeology and representation\n	Photography and duration\n	Conclusion\n	References\n8 PHOTOGRAPHING BUILDINGS James Dixon\n	Photographer 1: Architectural\n	Photographer 2: Aide- memoire\n	Photographer 3: Contractors\n	Photographer 4: Artists\n	References\n9 PHOTOGRAPHING GRAFFITI Alex Hale and Iain Anderson\n	References\n10 PHOTOGRAPHY, ARCHAEOLOGY AND VISUAL REPATRIATION Samuel Derbyshire\n	References\n11 THE AERIAL IMAGINATION Oscar Aldred\n	References\n12 THE TRANSFORMATION OF VISUAL ARCHAEOLOGY (PART TWO) Dan Hicks\n	VI. Homonymy\n	VII. Prefiguration\n	VIII. Unhistoricity\n	IX. Impermanence\n	X. Appearance\n	XI. Archaeology as if photography\n	Notes\n	References\nINDEX