Arab Women's Revolutionary Art: Between Singularities and Multitudes

Praise for Arab Women’s Revolutionary Art
Acknowledgements
Contents
List of Figures
Chapter 1: Introduction
	From Singularities to Multitudes
	Feminist Artivism
	Chapters Outline
	Part I: Visualizing the Revolution
		Chapter 2: Bahia Shehab: The (In)visible Cairo Street Artist
		Chapter 3: Identity and Memory in Héla Ammar’s Photo-Embroidery
	Part II: Performing the Revolution
		Chapter 4: When Women’s Bodies Speak in Public
		Chapter 5: Comics Against Taboos in Morocco
	Part III: Writing the Revolution
		Chapter 6: Kaouther Adimi’s Palimpsest of Revolutionary Histories
		Chapter 7: Revolutionary Art in Nomadic Spaces
	References
Part I: Visualizing the Revolution
	Chapter 2: Bahia Shehab: The (In)visible Cairo Street Artist
		Bahia Shehab and Her Rebellious Cat
		References
	Chapter 3: Identity and Memory in Héla Ammar’s Photo-Embroidery
		The Image as a Counter-Archive
		References
Part II: Performing the Revolution
	Chapter 4: When Women’s Bodies Speak in Public
		Women’s Bodies and Performance
		References
	Chapter 5: Comics Against Taboos in Morocco
		Women’s Movement in Morocco
		A Brief History of Comics
		Comics in the Arab World
		Arab Women Artists and the Representation of Women in Comics
		Zainab Fasiki
		References
Part III: Writing The Revolution
	Chapter 6: Kaouther Adimi’s Palimpsest of Revolutionary Histories
		The Field of the Cité du 11-Décembre: Palimpsest of Histories
		Another Arab Spring
		The Military
		Soccer as an Allegory of Revolution
		Social Media
		References
	Chapter 7: Revolutionary Art in Nomadic Spaces
		References
	Chapter 8: Conclusion
		References
Index
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