Antipodean Antiquities: Classical Reception Down Under

Cover\nHalf title\nSeries page\nTitle\nCopyrights\nContents\nFigures\nContributors\nIntroduction Marguerite Johnson\nPart I The Colonial Past – Classical Influences in White Australasia\n	1 Black Out:Classicizing Indigeneity in Australia and New Zealand Marguerite Johnson\n	2 Australia as Underworld:Convict Classics in the Nineteenth Century Rachael White\nPart II Theatre – Then and Now\n	3 Agamemnon Comes to the Antipodes:The Origins of Student Drama at the University of Sydney Laura Ginters\n	4 Salamis and Gallipoli:The Campaigns of Phillip Mann John Davidson\n	5 Wesley Enoch’s Black Medea Michael Ewans and Marguerite Johnson\n	6 What Women Critics Know That Men Don’t Jane Montgomery Griffiths\nPart III Poetry and Classical Echoes in New Zealand\n	7 James K.Baxter and the Gorgon Moon Geoffrey Miles\n	8 Clodia Through the Looking Glass Anna Jackson\nPart IV Fictionalizing Antipodean Antiquities\n	9 Parilia Poscor – David Malouf Remembers the Parilia (Fasti 4.721ff.) Nicolas Liney\n	10 Imaginative Displacement: Classical Reception in the Young Adult Fiction of Margaret Mahy Elizabeth Hale\n	11 Classical Influences in Bernard Beckett’s Genesis, August and Lullaby Babette Pütz\n	12 Displaced Persons and Displaced Narratives in S. D. Gentill’s Hero Trilogy Anne Rogerson\nPart V Australasia, Greece and Rome – Paper and Canvas\n	13 Painting Anzacs in an Epic Landscape: Greek Myth, the Trojan War and Sidney Nolan’s Gallipoli Series Sarah Midford\n	14 Of Heroes and Humans:Marian Maguire’s Colonization of Herakles’ Mythical World Melinda Johnston and Thomas Köntges\nPart VI Antiquity on the Australasian Screen\n	15 Temporal Turbulence:Reception Studies(’) Now Ika Willis\n	16 Classical Epic in Peter Jackson’s Middle-earth Trilogies Hannah Parry\n	17 Shifting Paradigms in Ben Ferris’ Penelope Leanne Glass\nNotes\nReferences\nIndex