Angela Carter's Pasts: Allegories and Intertextualities

Cover
Half Title
Title
Copyright
Contents
Contributors
Acknowledgements
Foreword: Memoir in the shape of a moment
Introduction
Part 1 Allegories
	1 Angela Carter’s medieval studies (Katie Garner)
	2 Exploring the fatal flower garden: Angela Carter’s writing of the 1960s (Sarah Gamble)
	3 ‘Beloved, cruel, unkind’:  (Polly Paulusma)
	4 ‘We teach – no, we make allegories, in the deepest sense’:  (Marie Emilie Walz)
Part 2 Violence and revolution
	5 Angela Carter and the new American spiritual apocalypse (Scott Dimovitz)
	6 Underneath a Mishima-esque mask:  (Natsumi Ikoma)
	7 ‘Manifesto for Year One’: Revolt as metaphysical principle (Anna Watz)
Part 3 Contrarieties and collisions
	8 ‘Versed in esoteric law and the magic arts’: Angela Carter’s writing and the supernatural (Miriam Wallraven)
	9 Violence and desire from the Renaissance stage to the Wild West: Angela Carter and the two John Fords (Robert Duggan)
	10 Angela Carter’s tribute to Colette:  (Martine Hennard Dutheil de la Rochère)
	11 The Firbankian Carter: The making of A Self-Made Man (Dickon Edwards)
Index