Angela Carter's Futures: Representations, Adaptations and Legacies

Cover
Half Title
Title
Copyright
Contents
Figures
Contributors
Acknowledgements
Foreword: In the company of animals
Introduction
Part 1 Contemporary theories and methodologies
	1 Flaunting the signifier: Angela Carter’s Love and ordinary language philosophy (Maggie Tonkin)
	2 ‘Now you are at the place of annihilation’: Angela Carter’s post-human politics (Hope Jennings)
	3 Angela Carter, Rikki Ducornet and the politics of vulnerability: A research-creation essay (Michelle Ryan)
Part 2 Re-visioning
	4 Visuality, gender and power: Exploring the female artist-performer in selected works by Angela Carter (Caleb Ferrari)
	5 Shadow Dance’s ‘extreme eclecticism’: Magic-realist painting in the Carterian tradition (Felicity Gee)
	6 ‘Big Ben had once again struck midnight’: Neo-Victorian and SF temporalities in Angela Carter’s Nights at the Circus (R
Part 3 Adaptations and legacies
	7 Our sisters, our shelves: Cultural work as sistership work and ‘fairy godmother’ Carter (Sarah Featonby)
	8 Hybrid forms: Nights at the Circus and adaptation (Frances Babbage)
	9 ‘Nothing sacred’: Angela Carter’s iconoclasm, place-making and memorialization (Charlotte Crofts and Marie Mulvey-Rob
	10 Carterian wine in new bottles: An interview with four women writers (Intan Paramaditha, Sofia Samatar, Veronica
Index