Anatomy of criticism: four essays

Frontmatter\nForeword (page vii)\nPrefactory Statements and Acknowledgments (page xiii)\nPOLITICAL INTRODUCTION (page 3)\nFIRST ESSAY. Historical Criticism: Theory of Modes\n	Fictional Modes: Introduction (page 33)\n	Tragic Fictional Modes (page 35)\n	Comic Fictional Modes (page 43)\n	Thematic Modes (page 52)\nSECOND ESSAY. Ethical Criticism: Theory of Symbols\n	Introduction (page 71)\n	Literal and Descritive Phases: Symbol as Motif and as SIgn (page 73)\n	Formal Phase: Symbol as Image (page 82)\n	Mythical Phase: Symbol as Archetype (page 95)\n	Anagogic Phase: Symbol as Monad (page 115)\nTHIRD ESSAY. Archetypal Criticism: Theory of Myths\n	Introduction (page 131)\n	Theory of Archetypal Meaning (1): Apocalyptic Imagery (page 141)\n	Theory of Archetypal Meaning (2): Demonic Imagery (page 147)\n	Theory of Archetypal Meaning (3): Analogical Imagery (page 151)\n	Theory of Methos: Introduction (page 158)\n	The Mythos og Spring: Comedy (page 163)\n	The Mythos of Summer: Romance (page 186)\n	The Mythos of Autumn: Tragedy (page 206)\n	The Mythos of Winter: irony and Satire (page 223)\nFOURTH ESSAY. Rhetorical Criticism: Theory of Genres\n	Introduction (page 243)\n	The Rhythm of Recurrence: Epos (page 251)\n	The Rhythm of Continuity: Prose (page 263)\n	The Rhythm of Decorum: Drama (page 268)\n	The Rhythm of Association: Lyric (page 270)\n	Specific Forms of Drama (page 282)\n	Specific Thematic Forms (Lyric and Epos) (page 293)\n	Specific Continuous Forms (Prose Fiction) (page 303)\n	Specific Encyclopaedic Forms (page 315)\n	The Rhetoric of Non-Literary Prose (page 326)\nTENTATIVE CONCLUSION (page 341)\nNOTES (page 357)\nGLOSSARY (page 365)\nINDEX (page 369)