An Introduction to the Phenomenology of Performance Art: SELF/s

Front Cover
Half Title
Frontispiece
Title Page
Copyright Page
Dedication
Epigraph
Table of contents
Acknowledgements
Foreword Enduring Reorientations: Self, Time, and Space in Performance
Author’s Note
Introduction
1 Embodied Experience
	Identity, Sexuality, and Gender
	Lori Baldwin
	Anne Bean
	Rosana Cade and Will Dickie
	Esther Marveta Neff
	Niko Wearden
	Cultural Contexts
	Jamal Harewood
	Regina José Galindo
	Health and Dis/Ability
	Katherine Araniello
	Kamil Guenatri
2 The Rapture and Rupture of the Lived Body
	Rapture
	Rocio Boliver
	Louis Fleischauer
	Weeks and Whitford
	Rupture
	Hellen Burrough
	Arianna Ferrari
	Ernst Fischer
3 The Intersubjectivity and Intercorporeality of Noise and Sonic Arts
	Sound through the Body
	Sarah Glass
	Joke Lanz
	Mother Disorder
	Sound through Collaboration
	FK Alexander
	Clive Henry and Yol
4 The Perception of Self/s
	Vulnerability
	Helena Goldwater
	Natalie Ramus
	Helen Spackman
	Failure
	Chelsea Coon
	Selina Bonelli
	Heather Sincavage
	Extremis
	tjb
	Hancock and Kelly
	Niko Raes
Postface The Argument for Queering ‘The Origin of the Work of Art’
	Manifesto for Performance Artist as Artwork
Notes
Bibliography
Back Cover