After the Carolingians: Re-defining Manuscript Illumination in the 10th and 11th Centuries

Acknowledgments......Page 5
Contents......Page 7
Contributors......Page 9
Abbreviations......Page 11
Introduction......Page 13
The Master of the Bern Psychomachia: Reconstructing an Artistic Personality in the Late Ninth Century......Page 29
Creative Borrowing in a Leiden Terence (UB, MS VLQ 38)......Page 69
Imaging and Imagining Solidity......Page 98
Imaging Time, Computation and Astronomy: A Computus Collection from Micy-Saint-Mesmin (Vatican, BAV, MS Reg. lat. 1263) and Early Eleventh-Century Illumination in the Loire Region......Page 130
Creativity at the End(s) of an Empire: Biblical Compilation and Illustration at the Monastery of Ripoll......Page 173
Working and Reworking the Book: The Saint-Vaast Gospels and Its Manuscript Context......Page 195
Shaping Tradition: The Use of the Carolingian Past in a Tenth-Century Manuscript at the Morgan Library (PML, MS M.319)......Page 225
From Gold Script to sermo rusticus: Book Illumination in Northern Italy at the Turn of the Millennium, the Case of Milan and Ivrea......Page 257
With Pen and Knife: Illuminating Blindness in a Forgotten Sacramentary......Page 285
Ovid at the Crossroads: Illustrations of the Metamorphoses in Apulia Before 1071......Page 314
Avianus and the Apocalypse in Paris, BnF, Ms. n.a.l. 1132......Page 348
Embodied Time, Narrative, and Performance in the Prüm Troper......Page 387
In Between, Center, and Periphery: The Art of Illumination on the Early Medieval Iberian Peninsula......Page 412
Apollonius pictus Reevaluated: Kurt Weitzmann’s Legacy and the Multilayered Historicity of Medieval Manuscripts......Page 445
Select Bibliography......Page 470
Index of Manuscripts......Page 482
Index of Places......Page 489
Index of Names......Page 491