African Theatre 17: Contemporary Dance

Frontcover
Contents
Notes on Contributors
Introduction
I DANCE
	James Mweu & Kunja Dance Theatre: Contemporary dance as African cultural production
	Looking Behind the Mirror: Challenging representationalism in contemporary
dance in postcolonial African contexts
	Decolonising the Stage: Reflecting on Mamela Nyamza in a Canadian-hosted
South African performance festival
	Unmuting South African Citizenship through Integrated/Disability Dance
	From Television to the Streets: The rise & rise of dance-based advertising
in Nigeria
Dance Photo Essay. ‘Untitled’: FOD Gang’s environmental activism
II OPEN SECTION
	Cultural Production in a Digital Age: A reflection on the adaptation of an African
folktale for a young audience
	And With Them Came Devils: Ebrahim Hussein, Mashetani & the poetics of doubt
Playscript. Lunatic!
Book Reviews
	Valérie K. Orlando, New African Cinema
	Iyunolu Osagie, African Modernity & the
Philosophy of Culture in the Works of Femi Euba
	Masitha Hoeane, Mama Mudu’s Children:
A South African Post-Freedom Tragi-Comedy
	Hope Eghagha, The Oily Marriage
	Ignatius Chukwumah, ed., Joke-Performance
in Africa: Mode, Media & Meaning
	J.C. Abbey, Ghana’s Puppeteer, directed
& produced by Steven Feld & the Anyaa Arts
Kollektif (2016)