Adaptation, awards culture, and the value of prestige

Front Matter ....Pages i-ix
 Adaptation and Systems of Cultural Value  (Colleen Kennedy-Karpat, Eric Sandberg)....Pages 1-20
Front Matter ....Pages 21-21
 The Pulitzers Go to Hollywood  (Thomas Leitch)....Pages 23-39
 Beware of Imitations: All about Eve (1950)  (Laurence Raw)....Pages 41-54
 Hilary Mantel’s Wolf Hall(s) and the Circulation of Cultural Prestige  (Eric Sandberg)....Pages 55-73
 Adapting Queerness, Queering Adaptation: Fun Home on Broadway  (Joanna Mansbridge)....Pages 75-94
Front Matter ....Pages 95-95
 Oliver’s Auteurs: The Cases of Lean and Polanski  (Jeffrey E. Jackson)....Pages 97-113
 Origins, Fidelity, and the Auteur: The Bengali Films of Tapan Sinha  (Priyanjali Sen)....Pages 115-131
 The Fortunes of Jane Austen as Chick Lit and Chick Flick  (Anne-Marie Scholz)....Pages 133-149
 Jazz, Prestige, and Five Great Gatsby Film Adaptations  (Michael Saffle)....Pages 151-169
Front Matter ....Pages 171-171
 Trash Cinema and Oscar Gold: Quentin Tarantino, Intertextuality, and Industry Prestige  (Colleen Kennedy-Karpat)....Pages 173-191
 The Hollywood Remake Massacre: Adaptation, Reception, and Value  (Laura Mee)....Pages 193-209
 “How do I act so well?” The British “Shakespearean” Actor and Cultural Cachet  (Anna Blackwell)....Pages 211-229
Back Matter ....Pages 231-239