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ویرایش: سری: ISBN (شابک) : 9781405187626, 9781444319019 ناشر: سال نشر: تعداد صفحات: 1248 زبان: English فرمت فایل : PDF (درصورت درخواست کاربر به PDF، EPUB یا AZW3 تبدیل می شود) حجم فایل: 11 مگابایت
در صورت تبدیل فایل کتاب A New Companion to English Renaissance Literature and Culture, Volume One and Two به فرمت های PDF، EPUB، AZW3، MOBI و یا DJVU می توانید به پشتیبان اطلاع دهید تا فایل مورد نظر را تبدیل نمایند.
توجه داشته باشید کتاب همراه جدیدی با ادبیات و فرهنگ دوره رنسانس انگلیسی ، جلد یک و دو نسخه زبان اصلی می باشد و کتاب ترجمه شده به فارسی نمی باشد. وبسایت اینترنشنال لایبرری ارائه دهنده کتاب های زبان اصلی می باشد و هیچ گونه کتاب ترجمه شده یا نوشته شده به فارسی را ارائه نمی دهد.
Content:
Chapter 1 Introduction (pages 1–11): Michael Hattaway
Chapter 2 The English Language of the Early Modern Period
(pages 13–26): Arja Nurmi
Chapter 3 Literacy and Education (pages 27–37): Jean R.
Brink
Chapter 4 Rhetoric (pages 38–54): Gavin Alexander
Chapter 5 History (pages 55–73): Patrick Collinson
Chapter 6 Metaphor and Culture in Renaissance England (pages
74–90): Judith H. Anderson
Chapter 7 Early Tudor Humanism (pages 91–105): Mary Thomas
Crane
Chapter 8 Platonism, Stoicism, Scepticism, and Classical
Imitation (pages 106–119): Sarah Hutton
Chapter 9 Translation (pages 120–133): Liz Oakley?Brown
Chapter 10 Mythology (pages 134–149): Jane Kingsley?Smith
Chapter 11 Scientific Writing (pages 150–159): David
Colclough
Chapter 12 Publication: Print and Manuscript (pages 160–176):
Michelle O'Callaghan
Chapter 13 Early Modern Handwriting (pages 177–189): Grace
Ioppolo
Chapter 14 The Manuscript Transmission of Poetry (pages
190–220): Arthur F. Marotti
Chapter 15 Poets, Friends, and Patrons: Donne and his Circle;
Ben and his Tribe (pages 221–247): Robin Robbins
Chapter 16 Law: Poetry and Jurisdiction (pages 248–262): Bradin
Cormack
Chapter 17 Spenser's Faerie Queene, Book 5: Poetry, Politics,
and Justice (pages 263–273): Judith H. Anderson
Chapter 18 ‘Law Makes the King’: Richard Hooker on Law and
Princely Rule (pages 274–288): Torrance Kirby
Chapter 19 Donne, Milton, and the Two Traditions of Religious
Liberty (pages 289–303): Feisal G. Mohamed
Chapter 20 Court and Coterie Culture (pages 304–319): Curtis
Perry
Chapter 21 Courtship and Counsel: John Lyly's Campaspe (pages
320–328): Greg Walker
Chapter 22 Bacon's ‘Of Simulation and Dissimulation’ (pages
329–336): Martin Dzelzainis
Chapter 23 The Literature of the Metropolis (pages 337–351):
John A. Twyning
Chapter 24 Tales of the City: The Plays of Ben Jonson and
Thomas Middleton (pages 352–366): Peter J. Smith
Chapter 25 ‘An Emblem of Themselves’: Early Renaissance Country
House Poetry (pages 367–378): Nicole Pohl
Chapter 26 Literary Gardens, from More to Marvell (pages
379–395): Hester Lees?Jeffries
Chapter 27 English Reformations (pages 396–418): Patrick
Collinson
Chapter 28 Translations of the Bible (pages 419–429): Gerald
Hammond
Chapter 29 Lancelot Andrewes' Good Friday 1604 Sermon (pages
430–437): Richard Harries
Chapter 30 Theological Writings and Religious Polemic (pages
438–448): Donna B. Hamilton
Chapter 31 Catholic Writings (pages 449–463): Robert S.
Miola
Chapter 32 Sectarian Writing (pages 464–477): Hilary
Hinds
Chapter 33 The English Broadside Print, c.1550–c.1650 (pages
478–526): Malcolm Jones
Chapter 34 The Writing of Travel (pages 527–542): Peter
Womack
Chapter 35 England's Experiences of Islam (pages 543–556):
Stephan Schmuck
Chapter 36 Reading the Body (pages 557–581): Jennifer
Waldron
Chapter 37 Physiognomy (pages 582–597): Sibylle Baumbach
Chapter 38 Dreams and Dreamers (pages 598–610): Carole
Levin
Chapter 39 Theories of Literary Kinds (pages 1–14): John
Roe
Chapter 40 The Position of Poetry: Making and Defending
Renaissance Poetics (pages 15–27): Arthur F. Kinney
Chapter 41 Epic (pages 28–41): Rachel Falconer
Chapter 42 Playhouses, Performances, and the Role of Drama
(pages 42–59): Michael Hattaway
Chapter 43 Continuities between ‘Medieval’ and ‘Early Modern’
Drama (pages 60–69): Michael O'Connell
Chapter 44 Kyd's The Spanish Tragedy (pages 70–79): A. J.
Piesse
Chapter 45 Boys' Plays (pages 80–93): Edel Lamb
Chapter 46 Drama of the Inns of Court (pages 94–104): Alan H.
Nelson and Jessica Winston
Chapter 47 ‘Tied to Rules of Flattery’? Court Drama and the
Masque (pages 105–122): James Knowles
Chapter 48 Women and Drama (pages 123–140): Alison
Findlay
Chapter 49 Political Plays (pages 141–153): Stephen
Longstaffe
Chapter 50 Jacobean Tragedy (pages 154–165): Rowland
Wymer
Chapter 51 Caroline Theatre (pages 166–175): Roy Booth
Chapter 52 John Ford, Mary Wroth, and the Final Scene of 'Tis
Pity She's a Whore (pages 176–183): Robyn Bolam
Chapter 53 Local Drama and Custom (pages 184–203): Thomas
Pettitt
Chapter 54 The Critical Elegy (pages 204–213): John Lyon
Chapter 55 Allegory (pages 214–224): Clara Mucci
Chapter 56 Pastoral (pages 225–237): Michelle O'Callaghan
Chapter 57 Romance (pages 238–248): Helen Moore
Chapter 58 Love Poetry (pages 249–263): Diana E.
Henderson
Chapter 59 Music and Poetry (pages 264–277): David
Lindley
Chapter 60 Wyatt's ‘Who so List to Hunt’ (pages 278–287):
Rachel Falconer
Chapter 61 The Heart of the Labyrinth: Mary Wroth's Pamphilia
to Amphilanthus (pages 288–298): Robyn Bolam
Chapter 62 Ovidian Erotic Poems (pages 299–316): Boika
Sokolova
Chapter 63 John Donne's Nineteenth Elegy (pages 317–325):
Germaine Greer
Chapter 64 Traditions of Complaint and Satire (pages 326–340):
John N. King
Chapter 65 Folk Legends and Wonder Tales (pages 341–358):
Thomas Pettitt
Chapter 66 ‘Such Pretty Things would Soon be Gone’: The
Neglected Genres of Popular Verse, 1480–1650 (pages 359–381):
Malcolm Jones
Chapter 67 Religious Verse (pages 382–397): Elizabeth
Clarke
Chapter 68 Herbert's ‘The Elixir’ (pages 398–406): Judith
Weil
Chapter 69 Conversion and Poetry in Early Modern England (pages
407–422): Molly Murray
Chapter 70 Prose Fiction (pages 423–436): Andrew Hadfield
Chapter 71 The English Renaissance Essay: Churchyard,
Cornwallis, Florio's Montaigne, and Bacon (pages 437–446): John
Lee
Chapter 72 Diaries and Journals (pages 447–452): Elizabeth
Clarke
Chapter 73 Letters (pages 453–460): Jonathan Gibson
Chapter 74 Identity (pages 461–473): A. J. Piesse
Chapter 75 Sexuality: A Renaissance Category? (pages 474–491):
James Knowles
Chapter 76 Was There a Renaissance Feminism? (pages 492–501):
Jean E. Howard
Chapter 77 Drama as Text and Performance (pages 502–512):
Andrea Stevens
Chapter 78 The Debate on Witchcraft (pages 513–522): James
Sharpe
Chapter 79 Reconstructing the Past: History, Historicism,
Histories (pages 523–534): James R. Siemon
Chapter 80 Race: A Renaissance Category? (pages 535–544): Margo
Hendricks
Chapter 81 Writing the Nations (pages 545–554): Nicola
Royan
Chapter 82 Early Modern Ecology (pages 555–568): Ken Hiltner