A Late Medieval Songbook and its Context: New Perspectives on the Chantilly Codex (Bibliothèque du Château de Chantilly, Ms. 564)

Front matter (“Contents”, “Introduction”), p. 1
	
Free Access
	
Deception, Reversal, and Paradox: The Rondeaux of the Chantilly Codex in Context, p. 15
Virginia Newes
https://doi.org/10.1484/M.EM-EB.3.2659
	
	
En relisant Solage, p. 45
Gilles Dulong
https://doi.org/10.1484/M.EM-EB.3.2660
	
	
Dead Famous: Mourning, Machaut, Music, and Renown in the Chantilly Codex, p. 63
Elizabeth Eva Leach
https://doi.org/10.1484/M.EM-EB.3.2661
	
	
Nouvelles lectures des chansons notées dans le Codex Chantilly, p. 95
Gilles Dulong, Agathe Sultan
https://doi.org/10.1484/M.EM-EB.3.2662
	
	
Aligning Words and Music: Scribal Procedures for the Placement of Text and Notes in the Chantilly Codex, p. 115
Elizabeth Randell Upton
https://doi.org/10.1484/M.EM-EB.3.2663
	
	
Criticism of Music and Music as Criticism in the Chantilly Codex, p. 133
Jehoash Hirshberg
https://doi.org/10.1484/M.EM-EB.3.2664
	
	
Between the Fig Tree and the Laurel: Or voit tout en aventure Revisited, p. 161
Dorit Tanay
https://doi.org/10.1484/M.EM-EB.3.2665
	
	
The Interpretation of Unusual Mensuration Signs in the Notation of the Ars subtilior, p. 179
Jason Stoessel
https://doi.org/10.1484/M.EM-EB.3.2666
	
	
The Myth of tempus perfectum diminutum in the Chantilly Manuscript, p. 203
Margaret Bent
https://doi.org/10.1484/M.EM-EB.3.2667
	
	
Diplomatic Relationships between Chantilly and Cividale?, p. 229
Reinhard Strohm
https://doi.org/10.1484/M.EM-EB.3.2668
	
	
French Songs in Aragon de Terence Scully révisé, p. 245
Maricarmen Gómez
https://doi.org/10.1484/M.EM-EB.3.2669
	
	
Flats and Chansons in MS Florence, Biblioteca Nazionale, Panciatichi 26, p. 263
Thomas Brothers
https://doi.org/10.1484/M.EM-EB.3.2670
	
	
A New Source for the Polyphony of the Ars subtilior: Paris, Bibliothèque nationale, nouvelles acquisitions françaises 22069, p. 283
Mark Everist
https://doi.org/10.1484/M.EM-EB.3.2671
	
	
Cordier’s Picture-Songs and the Relationship between the Song Repertories of the Chantilly Codex and Oxford 213, p. 303
Yolanda Plumley, Anne Stone
https://doi.org/10.1484/M.EM-EB.3.2672
	
	
Original and Borrowed, Authorship and Authority. Remarks on the Circulation of Philipoctus de Caserta’s Theoretical Legacy, p. 329
Giuliano Di Bacco
https://doi.org/10.1484/M.EM-EB.3.2673
	
	
Back matter (“Abbreviations”), p. 365