A Companion to Shakespeare and Performance

A Companion to Shakespeare and Performance
	Contents
	List of Illustrations
	Notes on Contributors
	Acknowledgments
	Introduction: A Kind of History
	Part I Overviews: Terms of Performance
		1 Reconstructing Love: King Lear and Theatre Architecture
		2 Shakespeare\'s Two Bodies
		3 Ragging Twelfth Night: 1602, 1996, 2002–3
		4 On Location
		5 Where is Hamlet? Text, Performance, and Adaptation
		6 Shakespeare and the Possibilities of Postcolonial Performance
	Part II Materialities: Writing and Performance
		7 The Imaginary Text, or the Curse of the Folio
		8 Shakespearean Screen/Play
		9 What Does the Cued Part Cue? Parts and Cues in Romeo and Juliet
		10 Editors in Love? Performing Desire in Romeo and Juliet
		11 Prefixing the Author: Print, Plays, and Performance
	Part III Histories
		12 Shakespeare the Victorian
		13 Shakespeare Goes Slumming: Harlem \'37 and Birmingham \'97
		14 Stanislavski, Othello, and the Motives of Eloquence
		15 Shakespeare, Henry VI and the Festival of Britain
		16 Encoding/Decoding Shakespeare: Richard III at the 2002 Stratford Festival
		17 Performance as Deflection
		18 Maverick Shakespeare
		19 Inheriting the Globe: The Reception of Shakespearean Space and Audience in Contemporary Reviewing
		20 Performing History: Henry IV, Money, and the
Fashion of the Times
	Part IV Performance Technologies, Cultural Technologies
		21 \'\'Are We Being Theatrical Yet?\'\': Actors, Editors, and the
Possibilities of Dialogue
		22 Shakespeare on the Record
		23 SShockspeare: (Nazi) Shakespeare Goes Heil-lywood
		24 Game Space/Tragic Space: Julie Taymor\'s Titus
		25 Shakespeare Stiles Style: Shakespeare, Julia Stiles, and
American Girl Culture
		26 Shakespeare on Vacation
	Part V Identities of Performance
		27 Visions of Color: Spectacle, Spectators, and the
Performance of Race
		28 Shakespeare and the Fiction of the Intercultural
		29 Guying the Guys and Girling The Shrew:
(Post)Feminist Fun at Shakespeare\'s Globe
		30 Queering the Audience: All-Male Casts in
Recent Productions of Shakespeare
		31 A Thousand Shakespeares: From Cinematic Saga to
Feminist Geography or, The Escape from Iceland
		32 Conflicting Fields of Vision: Performing Self and
Other in Two Intercultural Shakespeare Productions
	Part VI Performing Pedagogies
		33 Teaching Through Performance
		34 \'\'The eye of man hath not heard, / The ear of man
hath not seen\'\': Teaching Tools for Speaking Shakespeare
	Index