A companion to film theory

A Companion to Film Theory......Page 5
Contents......Page 7
1 Introduction......Page 9
2 Authorship......Page 17
3 Genre......Page 33
4 Enunciation and Narration......Page 53
5 Film Editing......Page 72
6 Film Semiotics......Page 92
7 Cognitivism......Page 113
8 Psychoanalytic Film Theory......Page 131
9 Spectatorship and Subjectivity......Page 154
10 Laura Mulvey Meets Catherine Tramell Meets the She-Man: Counter-History, Reclamation, and Incongruity in Lesbian, Gay, and Queer Film and Media Criticism......Page 173
11 Is There Class in this Text?: The Repression of Class in Film and Cultural Studies......Page 190
12 Culture Industries......Page 210
13 The Political Economy of Film......Page 229
14 The Work of Theory in the Age of Digital Transformation......Page 242
15 Cultural Exchange......Page 270
16 Shooting Back: From Ethnographic Film to Indigenous Production/ Ethnography of Media......Page 303
17 Psycho’s Bad Timing: The Sensual Obsessions of Film Theory......Page 331
18 Historical Allegory......Page 341
19 Every Picture Tells a Story: José Guadalupe Posada’s Protocinematic Graphic Art......Page 371
20 “Historical Poetics,” Narrative, and Interpretation......Page 395
Index......Page 421